I wanted to reflect on the play as a whole, looking back to my ‘Expectations’ back at the end of January.
Good literature is like a magic trick.It makes you believe you are in a different time and place, and care for characters who are constructs, and react to their (also fictitious) actions as if you were a participant.
Writing about this act has been an almost painful task.
It would have been too too easy to continue with the ‘Carry On Up the Dolphin’ theme I’d adopted for Act II, but I didn’t feel up to it, aside from referencing the incorrigible overfamiliarity of Charles:
Ay marry, sweeting, if we could do that,
France were no place for Henry’s warriors. (III.iii.21-2)
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On to the play, and post two of God knows how many in this project.
I wonder if I lowered my expectations too far …
To shrug and say it was fine, good, OK, would be to do the opening act of Henry VI part I a disservice. Sure, there were moments of clunkiness – not least when the French Master Gunner feels the need to declare – to himself, his son, and thereby the audience – his employment: