The Tempest: GCSE Model Essay for my Y11s

BH CSF Ariel 74728
I took this photo at the Cambridge Shakespeare Festival, 2012 … 🙂

If this is the first time you’ve read an essay here, please take a look at this post before proceeding.

Now that he has everyone in his power, we might expect him to use his magic spitefully and violently.  Interestingly, this scene acts as a kind of volta in the plot: the conversation changing Prospero’s philosophy and actions forever.

GCSE Essay based on AQA specimen question paper, and marked as follows:

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PTS 04/018 It’s Not You … It’s Me

BH christopher sly

The Taming of the Shrew (Induction)

For a while now, it’s been a vague ambition of mine to catalogue, mind map, or in some other way classify Shakespeare’s comedy, both in the comedic plays and elsewhere.  In doing so I AM mindful (for those who know their SF) of the Asimov short, ‘Jokester’ (1956), where finally getting an answer as to why humans laugh results in humour dying forever …

Still, I’m always and increasingly drawing intertextual links between and beyond Shakespeare’s plays, and this is what strikes me about what Arden calls the ‘Induction’ – the Christopher Sly frame.  It’s a cousin, maybe an ancestor, of the Rabelaisean idea of ‘Carnival’ that appears later on in:

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Crimes Against Shakespeare 002

BH Andolosia in Prison
NO-ONE bites their thumb at Mr Shakespeare …

It’s not just online, in the hallowed halls of the BBC, that we find Crimes Against Shakespeare

Oh no!

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PTS 03/017: Ch-ch-ch-ch-changes …

BH DavidBowie-portrait
Is it me, or would Bowie have made a terrific Richard?

Henry VI part III, Act III

RICHARD: ‘I can add colours to the chameleon,

Change shapes with Proteus for advantages’  (III.ii.191-192)

I’ll come back to Bowie’s song when I finally hit Richard III in August, because when I revisited the lyrics, I couldn’t avoid staring thoughtfully for a while.  I will remind Richard that:

‘And every time I thought I’d got it made,

It seemed the taste was not so sweet.’

Like Bolinbroke in RII, like Macbeth – like almost everyone in Shakespeare, let’s face it – the anticipation, the chase, is far better than the conquest, when it comes to the crown.

In the meantime, nothing seems to stay the same in Act III …

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PTS 03/016: Young Skywalker is in pain …

BH young skywalker is in pain
THIS is the look I’m talking about …

Henry VI part III, act II

In Act I, I wondered about how Richard might respond to the loss of the father he seems so close to, and explored the ongoing death of chivalry and nobility.

It doesn’t take long to see both of these ideas addressed in Act II …
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‘A delightful society’ …

holinshedYou are holding in your hands one of the most interesting, influential – and readable – books in British history.

Raphael Holinshed’s Chronicles of England, Scotland and Ireland have long been famous as the key source of Shakespeare’s history plays.  Given the role of Shakespeare’s view of Tudor history in shaping English nationalism, Holinshed’s long-term influence on British culture and English literature can hardly be overstated.  Michael Wood (intro), Holinshed Chronicles  (The Folio Society:  London, 2012)

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PTS00/001: I see you stand like greyhounds in the slips …

… Straining upon the start. The game’s afoot (Henry V)

bh-greyhounds

So.  As we enter February 2017, and the beginning of the ‘Ponytail Shakespeare’ project, I feel the need to quote Stephen King:

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