QotW: 04 June 2018 (#44)

Students laugh when they hear it, but Anne was in deadly earnest …

BH Hedgehog-Flowers-Meadow-Field.jpg.653x0_q80_crop-smart

We have hedgehogs.

I say ‘we’, but I’m appropriating the cute nocturnal visitors at my Snowdonia home (also known as ‘her place‘) …

Having spent most of the week camping in the back garden – yes, by choice – I’ve become a lot more familiar with their comings and goings: their enthusiastic crunching of mealworms (these are spoiled, and resolutely ignore the slugs they are supposed to be eating – I’ve seen them nudge slugs aside with their snouts!); their irritated huffing and snorting when a rival appears at bowl number two, all within a couple of feet of my head.

Which, of course, makes me more sensitive to the hedgehogs – just three of them* – in Shakespeare

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Forensic Friday (#01): RIII I.i.20-21

We can give those long dead words tone, inflection, pace … and meaning.

THIS is what we do, students.

We are archaeologists of the written word.  Remember that.

BH skeleton2We take our soft brushes and gently but resolutely stroke away the accumulated layers of popular misconception, plain bullshit, and systemic Shakesnobbery that surrounds a text until we are left with the bare bones – the words themselves …

Then – armed with contextual knowledge that keeps us somewhere on the Continuum of Plausibility – we ‘perform’ (and that is precisely the word, so enjoy the performative aspect of the work) forensic autopsies on those long-dead words: we dissect, analyse and record our findings.  

Occasionally, what we’re looking at might seem as alien as some of the stuff Scully chops up in the X-Files, but we persevere, we find points of reference, and with care we perform a kind of necromancy: we can practically bring the sample in front of us to life.  

We can give those long dead words tone, inflection, pace … and meaning.

THIS … … … is OCR H472/01 (Drama and Poetry pre-1900), A Level English Literature, section 1, question A … your Shakespeare extract task.
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