QotW (#62): 03 December 2018

Telling stories ABOUT stories seems to be my stock-in-trade when it comes to teaching Shakespeare.

10th circe campfire stories

Unusually, I’m going to start with the quotation of the week, from Stephen Greenblatt, rather than work towards it:

Humans cannot live without stories. We surround ourselves with them; we make them up in our sleep; we tell them to our children; we pay to have them told to us. Some of us create them professionally. And a few of us – myself included – spend our entire adult lives trying to understand their beauty, power, and influence. [a]

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QotW (#59): 22 October 2018

It’s no wonder we love soliloquy …

BH marlowe-and-shakespeare

Regular visitors know that I teach Richard III and Edward II at A Level – coincidentally, plays which seem to have appeared within months of each other, in or around 1592.  Marlowe doesn’t get discussed much in the circles I move in online, and Edward II often feels even more overlooked – so when someone wanted to talk about the differences between Kit and Will on /r/shakespeare (after watching a performance of Tamburlaine), I couldn’t resist diving in.  Here’s an edited extract of what I said:

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QotW (#57) 17 September 2018

BH organise-fish-solidarity-hi
ORGANIZE!

Why do I keep reading books about the plays, about the contextual crucibles in which they were cooked up?

Because there’s always something new to learn, or an angle that I hadn’t considered before.  And that’s where this week’s QotW comes in.

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Quotation* of the Week: 13 August 2018 (#53)

Thankfully, we can’t have a third series of The Hollow Crown, but what about adaptations of the Roman plays?

Great Performances: The Hollow Crown - The Wars of the Roses: Henry VI Part 2

 

If there’s one thing my (currently stuttering) Pony Tail Shakespeare read-through project has given me so far, it’s a greater love for the History Plays.  Once the project is (eventually) finished, I’m looking forward to reading them again merely for pleasure.

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QotW: 06 August 2018 (#52)

Gifted, abominable, yet capable of producing ‘the mighty line’ …

BH perfume
Ben Wishaw and Karoline Herfurth in Tom Tykwer‘s 2006 film

It’s episode 52 – not a continuous year (the first post is here), but a year nonetheless, so I’m going to indulge myself a little this week.  Will you be able to tell the difference, I hear you ask!

Bear with me whilst I tell you a story:

In eighteenth-century France there lived a man who was one of the most gifted and abominable personages in an era that knew no lack of gifted and abominable personages. His story will be told here. His name was Jean-Baptiste Grenouille, and if his name – in contrast to the names of other gifted abominations, de Sade’s, for instance, or Saint-Just’s, Fouché’s, Bonaparte’s, etc. – has been forgotten today, it is certainly not because Grenouille fell short of those more famous blackguards when it came to arrogance, misanthropy, immorality, or, more succinctly, wickedness, but because his gifts and his sole ambition were restricted to a domain that leaves no traces in history: to the fleeting realm of scent. [a]

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Cultural Capital 07: Tragedy

We loved a fall from grace as much then as we do now …

BH travolta tragedy
For Christ’s sake, can’t you see I’m busy, Ophelia? Get thee to a nunnery!

[this article first appeared in the in-house magazine I edit for our sixth-form English students]

Tragedy!  When the  feeling’s gone and you can’t go on …

It’s not that long ago that I appalled a class by stating that whilst the death of a pet dog might be ‘quite sad’, it definitely wasn’t ‘tragic’. ^

I definitely spend too much time in the late 16th century!

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QotW: 30 July 2018 (#51)

Marlowe probably DID make a hazard of his head by easing his heart …

BH pulp

The more I read about Marlowe, the more I like and sympathise with him – arrogant, frustrated genius, malcontent, morally questionable, and attention-whore as he may have been.  I sense a kindred spirit: my best friend would say the same about me – perhaps with a lot more arrogance and a lot less genius.  As I get older, I like to think that my moral code is finally begining to crystallise, where it was entirely fluid 25 years ago, but then Marlowe never had the opportunity to mellow …

Increasingly, I see Marlowe as the kind of ‘mis-shapeJarvis Cocker sung about in 1995:

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