The Long Goodbye …

BH long goodbye

If we do meet again, why, we shall smile;
If not, why then, this parting was well made.  (Brutus, Julius Caesar:  Act V, scene I)

This morning, at 9am, my Y11 students sit their first GCSE English exam – 1 hour, 45 minutes on The Tempest and Conan Doyle’s The Sign of Four … and so begins the ‘long goodbye’ …

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PTS 04/018 It’s Not You … It’s Me

BH christopher sly

The Taming of the Shrew (Induction)

For a while now, it’s been a vague ambition of mine to catalogue, mind map, or in some other way classify Shakespeare’s comedy, both in the comedic plays and elsewhere.  In doing so I AM mindful (for those who know their SF) of the Asimov short, ‘Jokester’, where finally getting an answer as to why humans laugh results in humour dying forever …

Still, I’m always and increasingly drawing intertextual links between and beyond Shakespeare’s plays, and this is what strikes me about what Arden calls the ‘Induction’ – the Christopher Sly frame.  It’s a cousin, maybe an ancestor, of the Rabelaisean idea of ‘Carnival’ that appears later on in:

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PTS 03/017: Ch-ch-ch-ch-changes …

BH DavidBowie-portrait
Is it me, or would Bowie have made a terrific Richard?

Henry VI part III, Act III

RICHARD: ‘I can add colours to the chameleon,

Change shapes with Proteus for advantages’  (III.ii.191-192)

I’ll come back to Bowie’s song when I finally hit Richard III in August, because when I revisited the lyrics, I couldn’t avoid staring thoughtfully for a while.  I will remind Richard that:

‘And every time I thought I’d got it made,

It seemed the taste was not so sweet.’

Like Bolinbroke in RII, like Macbeth – like almost everyone in Shakespeare, let’s face it – the anticipation, the chase, is far better than the conquest, when it comes to the crown.

In the meantime, nothing seems to stay the same in Act III …

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PTS 03/016: Young Skywalker is in pain …

BH young skywalker is in pain
THIS is the look I’m talking about …

Henry VI part III, act II

In Act I, I wondered about how Richard might respond to the loss of the father he seems so close to, and explored the ongoing death of chivalry and nobility.

It doesn’t take long to see both of these ideas addressed in Act II …
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#MYSHX400 (Happy Birthday, Will)

BH MySHX400-OG

So.  I owe the inspiration for this post – wanting to do something to celebrate the birthday – to ohforamuseofire, who herself got the questions from Folger Shakespeare Library project.  I wonder how, if at all, my answers might change over the next few years, as the PonyTail Shakespeare project progresses …

What does Shakespeare mean to you?

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PTS 02/012: ‘A Necessary End’

BH death of suffolk

HENRY VI part II:  Act IV

‘death, a necessary end, will come when it will come’                                              (JULIUS CAESAR: Act II, sc ii)

subtitled: ‘The not very tragic or lamentable death of the serial rotter, Suffolk, and the deservedly doomed distraction caused by Cade.’

It’s not quite acts three or four of Antony and Cleopatra, but this act does get into double-figures in terms of scenes – something I find irritating as a reader, in a way that I don’t find when listening to or watching the plays. Still, basically, Act IV boils down into two episodes, as the subtitle suggests.

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PTS 02/011: Small curs are not regarded when they grin

BH dog surfboard
Subtitled:  You gonna bark all day, little doggy?  Or are you gonna bite?

Henry VI part II: Act III

‘Small curs are not regarded when they grin’ (QUEEN MARGARET III.i.18)

Act III starts where Act II left off: the smell of blood in the water; fins thrashing as a pack of ruthless hunters circle our hapless king; bites being taken from the already-doomed Gloucester.

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