My Delightful Society

‘I’ll show you mine; you show me yours …’

440px-Portrait_of_William_Gladstone‘Books are delightful society.  If you go into a room and find it full of books – even without taking them from the shelves they seem to speak to you, to bid you welcome.’  William Ewart Gladstone

This post came out of a discussion on Reddit where I asserted that we weren’t seeing enough Shakespeare shelf-porn.  SHAKESPORN, in fact.  Yup. You heard me.  So in the spirit of ‘I’ll show you mine; you show me yours‘, here’s a tour of my Shakespeare bookshelf: MY ‘delightful society‘ …

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Charry: Arden Guide to Renaissance Drama (review)

An excellent addition to college / uni library shelves. Less sure about your personal collection …

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Brinda Charry, The Arden Guide to Renaissance Drama: An Introduction with Primary Sources (Arden Shakespeare) (Bloomsbury Publishing, London: 2017) £18.99 (paperback)

Renaissance plays are among the world’s most valuable literary artifacts. They are also historical documents, ideological statements, philosophical reflections and theatrical scripts.

Brinda Charry has produced a relatively accessible and comprehensive overview of the period and its drama, split into two distinct sections.

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Quotation of the Week: 20 August 2018 (#54)

Marlowe didn’t join them; he wanted to beat them, I think …

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Marlowe increasingly seems a malcontent, fringe figure, occupying some very liminal spaces indeed on the shadowy edges of society …

Three weeks ago, I suggested that Marlowe had ‘learned too much at school‘,  contributing to his generally accepted ‘atheism’.  This week’s quote follows that, to consider his attitude to class … it also provides another useful adition to our store of understanding of why EMP writers wrote in the florid (at least to modern ears) style that they did.  Getting to grips with this is, I maintain, key to deciphering the texts.

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PTS 12/073: A Truth Universally Acknowledged

with apologies to Jane Austen …

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… that, perhaps, a single GIRL in possession of a good fortune must be in want of a husband?

PTS read through:  Romeo and Juliet, Act I, sc ii

Hmmm, what to make of this scene?

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Nicholl: The Reckoning (review)

Our victim was brash, talented, and stabbed just above the eye before his 30th birthday …

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Charles Nicholl, The Reckoning: The Murder of Christopher Marlowe (Vintage:  London, 2002)

– – –

‘I am not trying to argue that Marlowe’s death has to have a meaning.  My reading tends only to a more complex kind of meaninglessness than that of a ‘tavern brawl’.

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QotW: 06 August 2018 (#52)

Gifted, abominable, yet capable of producing ‘the mighty line’ …

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Ben Wishaw and Karoline Herfurth in Tom Tykwer‘s 2006 film

It’s episode 52 – not a continuous year (the first post is here), but a year nonetheless, so I’m going to indulge myself a little this week.  Will you be able to tell the difference, I hear you ask!

Bear with me whilst I tell you a story:

In eighteenth-century France there lived a man who was one of the most gifted and abominable personages in an era that knew no lack of gifted and abominable personages. His story will be told here. His name was Jean-Baptiste Grenouille, and if his name – in contrast to the names of other gifted abominations, de Sade’s, for instance, or Saint-Just’s, Fouché’s, Bonaparte’s, etc. – has been forgotten today, it is certainly not because Grenouille fell short of those more famous blackguards when it came to arrogance, misanthropy, immorality, or, more succinctly, wickedness, but because his gifts and his sole ambition were restricted to a domain that leaves no traces in history: to the fleeting realm of scent. [a]

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Forensic Friday (#07): Edward II, (iv.15-21)

‘Know your place’, the world of literature seems to scream. ‘Or else …’

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Jacob Jordaens (1593-1678):  ‘Phaeton Falling’ … careful he doesn’t land on you!

If there’s anything I enjoy as much as anti-heroes, it’s tales of Promethean over-reachers.

Christopher Marlowe belongs in that category, I believe …

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