Never mind isolation and social distancing, it’s ‘slogan fatigue’ that’s slowly killing me …
Shakespeare IS political – understand that, and move on
There have been plenty of times when I’ve felt the need to apologise for being political in a blog about Shakespeare. I think it makes my employers nervous, despite the fact that they never get named, and the blog is entirely independent of them.
PTS read-through: 1 Henry IV, Act IV
Today, let’s talk about serial liars, and those who promise much but deliver little, if anything …
PTS 015/095 1HIV Act III, scene i
When my Dearest Partner of Greatness (DPG) and I were discussing Trilogy Day at The Globe, THIS is the scene that prompted my suggestion she come along to this first play. Curiosity mixed with mischief as I thought about her reaction to an English representation of the national hero, Owain Glyndŵr …
PTS readthrough: 1 Henry IV, II, iv
‘As flies to wanton boys are we to th’ gods.
They kill us for their sport.’ (King Lear, IV.i), [a]
In Nick Hornby’s terrific ‘High Fidelity’, the music-obsessed narrator, owner of a record store, is asked to name his favourite songs by a pretty, young journalist type. [b] He has an embarrassing meltdown. Stumbling out a few choices, he resorts to contacting her several times afterwards, with constant revisions to his ultimate ‘best of’ list, until he realises he’s practically stalking her …
That’s me, asked to identify my favourite scenes.
1 Henry IV: Act I, scene i
It’s almost impossible to check in my earlier hostility to Henry Bolinbroke at the door; I take grim satisfaction at the suggestion that he’s ‘shaken’, or ‘wan with care’ as the play opens. [a] He deserves it.
Not that I believe him …
Actually, looking back, I promised to crucify you (Henry) at the end of Richard II … OK, here goes.
