PTS 015/094: Zap!

PTS readthrough: 1 Henry IV, II, iv

‘As flies to wanton boys are we to th’ gods.

They kill us for their sport.’ (King Lear, IV.i), [a]

In Nick Hornby’s terrific ‘High Fidelity, the music-obsessed narrator, owner of a record store, is asked to name his favourite songs by a pretty, young journalist type. [b] He has an embarrassing meltdown. Stumbling out a few choices, he resorts to contacting her several times afterwards, with constant revisions to his ultimate ‘best of’ list, until he realises he’s practically stalking her …

That’s me, asked to identify my favourite scenes.

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QotW (#81): 01 July 2019

legophthalmos
image: legophthalmos

Never mind having a MONTH named after you – you’re nobody, in the grand scheme of things, until you have your own Lego figure …

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PTS 12/074: Carry on, Nurse (and Mercutio) …

BH carry on nurse
I see Queen Mab has been with you …

PTS read-through:  Romeo and Juliet: Act 1, scenes iii and iv

Why is R&J funnier than Love’s Labour’s Lost, or the Comedy of Errors?

Whilst Jonathan Bate tells us that Shakespeare:

borrowed certain techniques of dramatic cross-dressing and comic overhearing from John Lyly [a]

the spine of the comedy here is firmly character-driven, by Juliet’s Nurse and Mercutio. That’s why …
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PTS 11/066: Alas, poor Richard …

For God’s sake, let us sit upon the ground, and tell sad stories of the death of kings …

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PTS read-through:  Richard II, act III (part ONE)

Witnessing the utter disintegration of a human being – even a fictional one – is, I’d suggest, an uneasy, distressing experience.  And yet … 

Voyeuristic shame accompanies the compulsion to keep spectating what is usually such a private affair.  My first experience of this type of slow-mo car-crash literature was Hardy’s The Mayor of Casterbridge, when I was about 12.  It scarred me – I’ve never quite been able to revisit Michael Henchard’s self-induced immolation; it also, I think, gave me my first seductive bittersweet taste of tragedy.  Like that initial stolen underage drink, whilst I wasn’t quite sure I liked it, I wanted another – just to be certain.

Richard’s collapse is the most devastatingly beautiful in Shakespeare, perhaps in the wider canon: it begins here, spanning three poignant acts. 
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PTS 08/046: A Tale of Two Sisters

Doormat or A-dor-ably Feisty? Luciana and Adriana swap roles in Act II …

BH Sisters
Who needs a man when you have a sister?  Adriana, that’s who …

Ponytail Shakespeare Read-Through: The Comedy of Errors, Act II

Aha!  A single woman in a Shakespeare comedy – what she needs is a HUSBAND, I thought, my Jane Austen goggles firmly on.  In this, I was egged on by Kent Cartwright, as I mentioned in writing about Act I, and who colluded with Jane and my previously-held assumptions.

And what a catch Luciana appears to be for our unreconstructed EMP man!

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