PTS 11/066: Alas, poor Richard …

For God’s sake, let us sit upon the ground, and tell sad stories of the death of kings …

bh-hollow-crown-rii-beach.jpg

PTS read-through:  Richard II, act III (part ONE)

Witnessing the utter disintegration of a human being – even a fictional one – is, I’d suggest, an uneasy, distressing experience.  And yet … 

Voyeuristic shame accompanies the compulsion to keep spectating what is usually such a private affair.  My first experience of this type of slow-mo car-crash literature was Hardy’s The Mayor of Casterbridge, when I was about 12.  It scarred me – I’ve never quite been able to revisit Michael Henchard’s self-induced immolation; it also, I think, gave me my first seductive bittersweet taste of tragedy.  Like that initial stolen underage drink, whilst I wasn’t quite sure I liked it, I wanted another – just to be certain.

Richard’s collapse is the most devastatingly beautiful in Shakespeare, perhaps in the wider canon: it begins here, spanning three poignant acts. 
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Quote of the Week: 05 March 2018 (#31)

They could be twins … NOT the authors!

BH marlowe shakespeareJohn Gielgud, ‘Richard II’ in Charles Ede (ed.), Introductions to Shakespeare, (London:  Folio Society, 1977) p.59

[and a small celebration of this as my 201st post]

The Wheel of Fortune moves inexorably away from Edward II at school (which students will have to compare to Tennyson‘s Maud in their exam – easy peasy, whatever they may think, if they work hard and LISTEN between now and then), and in terms of the Ponytail Shakespeare read-through, to Richard II.

I can’t be the only one to reflect that the two plays are remarkably similar.  Indeed, I’ve chosen this week’s quotation as an intrigiung bridge between them.

Continue reading “Quote of the Week: 05 March 2018 (#31)”