Alison Weir, The Princes In The Tower (London: The Folio Society, 1992)
A slight rearrangement of this section. Instead of one huge sticky post, it’s easier to post as and when I come across something worth sharing. You can see the previous mega-post by clicking here.
This week’s quotation is attributed to Elizabeth Wydville, widow of Edward IV. She was, at this stage, in sanctuary with her youngest son, and determined to preserve their lives – and hers – by keeping the two boys separated.
… nor custom stale his infinite variety. (Enobarbus: ANTHONY AND CLEOPATRA: II.ii.245-246) [bastardised by me, obviously]
Our timetables for next year were finalised last Friday, and this is what mine looks like – at least in terms of Shakespeare / EMP material. It’s more of the same, basically – although I finally lost The Tempest – which Top Set Y11 had voted to study back in the day when I had complete freedom about what to teach. I think it could be the last year I teach this combination – I want to make at least one change …
A running theme in the play is how Caesar’s assassination is going to be remembered and reenacted for centuries to come, so I drew the swimmers in modern clothes.
I had a ‘tense’ conversation with a Y10 lad today. He has about a week to work on a 5-minute or so presentation. The subject is entirely open to him, but it ought to be something he has sufficient interest in that he can produce a structured, coherent talk, with the ability to think on his feet and answer potentially tricky questions on it afterwards (if he wants to get a decent mark). It contributes towards his GCSE qualification under the new specification, and he could be asked to reprise the performance at our school’s ‘Work-Ready Day‘ in two weeks’ time: an important shop window for pupils to get noticed by major local employers, where talent HAS been ‘spotted’ in the past. And ‘scouted’. Despite the fact that the students would rather eat their own tongues than do the presentation once, let alone twice …
And, regardless of my – or your – political beliefs, for the love of God, please VOTE tomorrow, if you’re entitled to. Never mind the hackneyed cliché: ‘people died so you could‘ argument – you have absolutely no right to complain about what happens over the next 5 years if you didn’t even make the smallest effort to effect a change …
Anyway, I visited isidewith, and tried to answer the questions as someone who died 401 years ago … here’s a selection of the conundrums I was faced with, plus the (firmly tongue-in-cheek) result …
Edward V, like Edward II, like Richard II, like Macbeth, maybe even like Richard III, seems to think that the crown’s enough.Whilst there can be only one, physical possession of the golden round really isn’t a given. Everyone else has to believe you’re king – not just you!
They are but Lewis and Warwick; I am Edward,
Your King and Warwick’s and must have my will. (IV.i.15-16)
That’s all very well, but if it that attitude couldn’t save Julius Caesar:
‘I rather tell you what is to be feared / Than what I fear: for always I am Caesar’ (CAESAR, Julius Caesar I.ii.210-211)
– and he was a dozen times the man you are – then your goose is cooked.You have married in haste, and now you’re going to repent at leisure.Frankly, if Richard says so, it’s good enough for me:
For someone who almost famously doesn’t watch TV, I’m a remarkably big fan of the BBC. What I DO spend is an awful lot of time listening to the radio – for news, sport, and entertainment. I’m always dazzled by the quality of the drama they produce, and I really enjoy their Science Fiction adaptations – another obssession of mine.
But, it’s also an absolute treasure trove of radio programming about Shakespeare … both factual stuff and performances.