“This is all the UK has to show for itself. The situation is urgent. Please think of others far worse off than you and give generously”
For those who don’t know Mr Woolfe, he was hovering on the edges of glory at UKIP for a few years, challenging for the ‘leadership’ at one stage, until leaving in high dudgeon after a classy physical altercation with a colleague, and now standing as an ‘Independent’. UKIP is, for the uninitiated, the United Kingdom Independence Party – a political party of xenophobic, borderline racist, swivel-eyed loons who have done as much as anyone else to get us into this desperate Brexit mess.
Mr Woolfe is currently one of my MEPs (Member of the European Parliament). I didn’t vote for him. But tonight, to my shame, he represents me.
The consequences of people feeling there is no legal, peaceful alternative might be grim … Shakespeare shows us that in Titus and elsewhere.
I know you all, and will awhile uphold
The unyoked humour of your idleness:
Yet herein will I imitate the sun,
Who doth permit the base contagious clouds
To smother up his beauty from the world,
That, when he please again to be himself,
Being wanted, he may be more wonder’d at,
By breaking through the foul and ugly mists
Of vapours that did seem to strangle him. (PRINCE HAL: 1 Henry IV. I.ii)
I’d love to ascribe these lines to our leaders, but I reserve them for myself today …
‘When ignorant men are overwhelmed by forces totally beyond their control and their understanding it is inevitable that they will search for some explanation within their grasp. When they are frightened and badly hurt then they will seek someone on whom they can be revenged. […] What was needed, therefore, was a suitable target for the indignation of the people, preferably a minority group, easily identifiable, already unpopular, widely scattered and lacking any powerful protector.’
Philip Ziegler, The Black Death, (The Folio Society, London: 1997) Cover image: Francis Mosley
The plague was too immediate, too visceral, for Shakespeare to include more than a passing reference to it in his plays.In Romeo and Juliet it’s a factor in the tragedy, but at a safe distance.