Alison Weir, The Princes In The Tower (London: The Folio Society, 1992)
A slight rearrangement of this section. Instead of one huge sticky post, it’s easier to post as and when I come across something worth sharing. You can see the previous mega-post by clicking here.
This week’s quotation is attributed to Elizabeth Wydville, widow of Edward IV. She was, at this stage, in sanctuary with her youngest son, and determined to preserve their lives – and hers – by keeping the two boys separated.
This started as commentary on the furore surrounding the staging of Julius Caesarfeaturing a Trump-alike, but based in England, I can’t help reflecting the fact that things have been overtaken here by the insane events near Finsbury Park Mosque in London …
At what stage does it become acceptable for people to use the kind of methods they vilify – demonise, actually – in others to advance their own agendas? No, really – when is this OK?
I’ve got a 4-period day tomorrow, so I could do with an early night. Instead, I put a pizza in the oven at about 11pm …
Thanks a bunch, exit polls.
Yesterday, I explored how Shakespeare might vote in today’s General Election. Reluctantly, I came to the conclusion that he and I might avoid discussing politics over our ale – a bit like I have to with my dad, to be honest.
Is it me, or does the guy in the picture look like a young James Comey?
Henry VI part III: act V
So, very belatedly, we reach the end of the road for Henry VI, and of history plays for a short while.I’m sad to say goodbye.The comedies aren’t generally my favourites, and these three HVI plays have been ones I’ve unjustly avoided until now.It’s been a brilliant rollercoaster ride.
Last time round, I said there could only be one, and finally, mercifully, someone does for Henry.And we all know who that someone is, right?Only one man for the job …
‘When ignorant men are overwhelmed by forces totally beyond their control and their understanding it is inevitable that they will search for some explanation within their grasp. When they are frightened and badly hurt then they will seek someone on whom they can be revenged. […] What was needed, therefore, was a suitable target for the indignation of the people, preferably a minority group, easily identifiable, already unpopular, widely scattered and lacking any powerful protector.’
Philip Ziegler, The Black Death, (The Folio Society, London: 1997) Cover image: Francis Mosley
The plague was too immediate, too visceral, for Shakespeare to include more than a passing reference to it in his plays.In Romeo and Juliet it’s a factor in the tragedy, but at a safe distance.