[Warning: you might want to stop reading now, if you voted for Brexit]
Ponytail Shakespeare read-through: King John, Act V
It’s all a bit shabby, isn’t it, at the end of the day?
Act V holds Hamlet‘s ‘mirror up to nature‘ [a]: Shakespeare might be exploring the ‘Commodity’ of the times, but I can’t avoid building synaptic bridges to the realpolitik of the shameful goings on in the UK’s parliament over the past few years. I ought to be far too old for the kind of idealistic rage I feel, but even at a relatively young age, I’m determined to ‘burn and rave at close of day‘ [b] …
… is that the job is, frankly, shit. And that you have to be a shit to do it successfully.
PTS read-through: King John, Act IV.
If you’re not ‘born great’, if you want to achieve greatness, you have to put in the hours, right? Just think of the graft involved: wheeling and dealing; equivocating; making and breaking alliances; sucking up; marrying well (not, alas, for love); adding colours to the chameleon; changing shapes with Proteus; and generally setting the murderous Machiavel to school.
I mentioned the other day that I was coming into King John blind, apart from the Disney film and a vague notion of the Magna Carta. The little I am beginning to accumulate through secondary reading and the play itself is startling.
My fears for Arthur Plantagenet were more or less realised as Act II began, universally patronised with the soubriquet, ‘boy’ and a quasi-contemptuous ‘thy’ by his father’s killer, Austria. And I still sensed that the real quarrel is between Arthur’s mother, Constance, and Eleanor – otherwise why would she come along? Never mind Iron Maiden‘s ‘Bring Your Daughter (to the Slaughter)‘ – how about ‘Bring Your Mother’?
Having broken out of my Romeo and Juliet-induced enervation, I approached King John with a sense of excitement bolstered by my positive experiences with the Henry VI plays. Unusually, maybe impatiently, I skipped my Arden’s introduction and got stuck in after finding these hopeful signs elsewhere:
“a neglected play about a flawed king” [a]
“King John has all the beauties of language and all the richness of the imagination to relieve the painfulness of the subject.” [b]