PTS 13/83 King John Soundtrack Album

bh-wurlitzer

Just as this play is hard to pigeonhole, so the King John Soundtrack has easily been the most difficult to put together.

So much so that although I usually manage at least double-figures, but not today.

The usual question therefore takes on greater urgency …

WHAT HAVE I MISSED?

 

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PTS 13/082 As in art, in life …

brexit sledgehammer
As Donald Tusk might say, there’s a special place in hell awaiting those who smash us out of the EU without a plan …

[Warning: you might want to stop reading now, if you voted for Brexit]

Ponytail Shakespeare read-through:  King John, Act V

It’s all a bit shabby, isn’t it, at the end of the day?

Act V holds Hamlet‘s ‘mirror up to nature‘ [a]: Shakespeare might be exploring the ‘Commodity’ of the times, but I can’t avoid building synaptic bridges to the realpolitik of the shameful goings on in the UK’s parliament over the past few years.  I ought to be far too old for the kind of idealistic rage I feel, but even at a relatively young age, I’m determined to ‘burn and rave at close of day‘ [b] …

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PTS 13/081: The Curse of Kings

… is that the job is, frankly, shit. And that you have to be a shit to do it successfully.

big mac
Excuse me?  I ordered a kingdom like I saw in the advert …

PTS read-through:  King John, Act IV.

If you’re not ‘born great’, if you want to achieve greatness, you have to put in the hours, right?  Just think of the graft involved: wheeling and dealing; equivocating; making and breaking alliances; sucking up; marrying well (not, alas, for love); adding colours to the chameleon; changing shapes with Proteus; and generally setting the murderous Machiavel to school.

And for what?

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PTS 13/080: Remind me: who’s in charge here?

266_pius
OK, I want a good, clean fight …

February 1570:  in the blue corner, Elizabeth I; in the red corner, Pius V …

Commence au festival, as the Joker might say.

Ponytail Shakespeare read-through – King John, Act III

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QotW (#63): Monday 14 January 2019

king john donald trump
image: Mashable [a]
I mentioned the other day that I was coming into King John blind, apart from the Disney film and a vague notion of the Magna Carta.  The little I am beginning to accumulate through secondary reading and the play itself is startling.

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PTS 13/079: This is Brexit!

 

madness-this-is-brexit

My fears for Arthur Plantagenet were more or less realised as Act II began, universally  patronised with the soubriquet, ‘boy’ and a quasi-contemptuous ‘thy’ by his father’s killer, Austria.  And I still sensed that the real quarrel is between Arthur’s mother, Constance, and Eleanor – otherwise why would she come along?  Never mind Iron Maiden‘s ‘Bring Your Daughter (to the Slaughter)‘ – how about ‘Bring Your Mother’?

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PTS 13/078: Homophone fun with King John

dubbing-the-knight-14th-century-miniature1
image:  History Notes.  The guy on the left is asking the king if he can go to the toilet …

King John, Act I

Having broken out of my Romeo and Juliet-induced enervation, I approached King John with a sense of excitement bolstered by my positive experiences with the Henry VI plays.  Unusually, maybe impatiently, I skipped my Arden’s introduction and got stuck in after finding these hopeful signs elsewhere:

“a neglected play about a flawed king” [a]

and

“King John has all the beauties of language and all the richness of the imagination to relieve the painfulness of the subject.” [b]

So, what did I make of Act I?

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