300: This … is … SHAKESPEARE!

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image: ME

A few numbers for you:

Broadly 100 posts a year …

Just short of 200,000 words …

Plays read for the first time: 9 (of varying quality) …

 

Here I am, 300 not out!

 

 

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PTS 13/081: The Curse of Kings

… is that the job is, frankly, shit. And that you have to be a shit to do it successfully.

big mac
Excuse me?  I ordered a kingdom like I saw in the advert …

PTS read-through:  King John, Act IV.

If you’re not ‘born great’, if you want to achieve greatness, you have to put in the hours, right?  Just think of the graft involved: wheeling and dealing; equivocating; making and breaking alliances; sucking up; marrying well (not, alas, for love); adding colours to the chameleon; changing shapes with Proteus; and generally setting the murderous Machiavel to school.

And for what?

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QotW (#61): 12 November 2018

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Ken Dodd (and his infamous tickling stick):  ‘I haven’t spoken to my mother-in-law in eighteen months.  I don’t like to interrupt …’

You probably know my taste for puerile humour by now.

This joke (and there are many versions of it knocking around) has been a favourite since before I got married, a good twenty years ago.  You can imagine how well it went down, the first time I used it on my (rather fierce) ex-mother-in-law.  I received what we might call an ‘old-fashioned look’, with added chilli.  Nowadays, poking fun at someone’s verbosity is also self-referential, because, yes, I unashamedly like to talk!  In my defence, it’s because I ‘live’ in 1592.

Which leads me nicely to this week’s QotW

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QotW (#59): 22 October 2018

It’s no wonder we love soliloquy …

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Regular visitors know that I teach Richard III and Edward II at A Level – coincidentally, plays which seem to have appeared within months of each other, in or around 1592.  Marlowe doesn’t get discussed much in the circles I move in online, and Edward II often feels even more overlooked – so when someone wanted to talk about the differences between Kit and Will on /r/shakespeare (after watching a performance of Tamburlaine), I couldn’t resist diving in.  Here’s an edited extract of what I said:

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Quotation* of the Week: 13 August 2018 (#53)

Thankfully, we can’t have a third series of The Hollow Crown, but what about adaptations of the Roman plays?

Great Performances: The Hollow Crown - The Wars of the Roses: Henry VI Part 2

 

If there’s one thing my (currently stuttering) Pony Tail Shakespeare read-through project has given me so far, it’s a greater love for the History Plays.  Once the project is (eventually) finished, I’m looking forward to reading them again merely for pleasure.

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QotW: 25 June 2018 (#47)

All the world IS a stage, where Richard is concerned …

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Year 12 face their mock exam this coming Friday, with varying degrees of panic.

So, this week’s QotW is actually a BOGOF offer.  I often talk about Richard III being a ‘season finale’ to the History plays.  The chameleon quotation above comes from the penultimate episode, as you might remember, people.  Richard is – at least until it all begins to unravel for him – the consummate actor.

But don’t just take my word for it:

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Quote of the Week: 07 May 2018 (#40)

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Mistrust might be too strong a word, but there was always a youthful rebellious streak in me (Catholic-educated in what was at the time a pretty Catholic town), pushing against what I increasingly viewed as the bastard child of The Party in Orwell‘s Nineteen Eighty-Four and a medieval Ponzi scheme.  The Catholic hierarchy increasingly personified notions of hypocritical middle-men, ‘eternal life’ assurance brokers, gatekeepers against the hereafter who would feed on the poor, vulnerable and frightened, whilst actually allowing anyone through, if the price was right.

Finally, I officially ‘fell out’ with God in a completely predictable spat  – over bureacracy, not the Bible; red tape, not redemption; compliance, not communion …

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