QotW: 25 June 2018 (#47)

All the world IS a stage, where Richard is concerned …

BH chameleon

Year 12 face their mock exam this coming Friday, with varying degrees of panic.

So, this week’s QotW is actually a BOGOF offer.  I often talk about Richard III being a ‘season finale’ to the History plays.  The chameleon quotation above comes from the penultimate episode, as you might remember, people.  Richard is – at least until it all begins to unravel for him – the consummate actor.

But don’t just take my word for it:

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Quote of the Week: 07 May 2018 (#40)

bh-politics-disraeli-ireland-irish-church-irish_church_disestablishment-csl0220_low.jpg

Mistrust might be too strong a word, but there was always a youthful rebellious streak in me (Catholic-educated in what was at the time a pretty Catholic town), pushing against what I increasingly viewed as the bastard child of The Party in Orwell‘s Nineteen Eighty-Four and a medieval Ponzi scheme.  The Catholic hierarchy increasingly personified notions of hypocritical middle-men, ‘eternal life’ assurance brokers, gatekeepers against the hereafter who would feed on the poor, vulnerable and frightened, whilst actually allowing anyone through, if the price was right.

Finally, I officially ‘fell out’ with God in a completely predictable spat  – over bureacracy, not the Bible; red tape, not redemption; compliance, not communion …

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The 2018 Shakespeare Top 10

Forget the Oscars, here are some winners that REALLY matter to me …

BH Ardens
Not – quite – my collection of Ardens … soon, soon!

We HATE lists, don’t we?

Except, actually we bloody love them, if it’s something we’re interested in.

No, really.

That said, the last thing we want is a list that agrees with our perceptions – the dopamine rush of validation is very short-lived compared to the opportunity to passionately argue our disagreement.  We LOVE subjective opinions.  Trust me – my wonderfully fulfilling University years were full of essays arguing the toss – why, for example:

  • Dracula should not be judged for his ‘special dietary requirements’, whereas Van Helsing and his bunch are vindictive bastards;
  • we ought to respect Edward Hyde for his refreshing honesty, as opposed to Henry Jekyll‘s hypocrisy; or
  • Ursula K. Le Guin’s (RIP) The Left Hand of Darkness, whilst a superb book, had no place in the Science Fiction module

You get the picture:  English Lit is a tailor-made subject for those who are argumentative and prepared to do the spadework to back-up their cockiness …

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Quote of the Week: 08 January 2018

Methinks the Tudors did protest too much …

BH jones 1485

Michael K Jones, 1485: Bosworth – Psychology of a Battle (John Murray:  London, 2014)

My hopes for this book weren’t high, having bought it for £2-99 from one of those small discount bookstores that seem to defy all logic in staying afloat.  I’ve been pleasantly surprised:  Jones has something different to say, and he argues it clearly and persuasively.

One of the things he looks at is the demonisation of Richard, asking if it isn’t just a little over the top.  If so, why?

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Quote of the Week: 11 December 2017

We only want to be kings because we don’t fully understand what it involves?

BH Lee_1603Christopher Lee, 1603 (Review:  London, 2003)

Not THAT Christopher Lee, obviously!

In class, we’ve seen it in Edward II and, I think, Richard III.  There are hints of it for my younger students in Macbeth.  But I see it everywhere: in Richard II, Henry IV, Henry V, Henry VI.

 

In Twelfth Night, Malvolio tells us:

“be not afraid of greatness: some are born great, some achieve greatness, and some have greatness thrust upon ’em” (II.v)

Quite simply, the message I consistently get from EMP plays is that greatness – in this case being monarch – is never, ever, all it’s cracked up to be …

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Quote of the Week: 04 December 2017

“Don’t expect gratitude from anyone who makes it thanks to you”

BH machiavelli

Subtitled:  The Curse of the ‘Without-Whoms’

Niccolò Machiavelli, Il Principe (The Prince) original publication 1532

This is close to the top of my list of for the Cultural Capital series – a short, highly influential read, freely available: something which, frankly, you ought to have read by the time you hit university – whether or not you are an English Lit student.  It’s the kind of thing that certain people, in certain circles, will expect you to have a working knowledge of in the big bad world.

Anyway, to this week’s quotation.  Consider the following:

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Shakespeare’s Sister says: ‘YOU’RE HISTORY!’ …

Claiming ‘Shakespeare was this or that’, or worse, ‘Shakespeare did not write the plays’, does NOT entitle you to a mic-drop. It just shows your intellectual bankruptcy …

BH shakespeare's sister
Siobhan Fahey and Marcella Detroit – women I fancied (at 19) as much for their deranged, dangerous, deep and devil-may-care personas as their looks.

I’ve written elsewhere about the Rally of Revenge – about my unease that once you abandon all faith in ‘due process‘ or ‘justice‘ (either earthly or divine); once you understand that inequality is endemic, you have nothing left to lose – if you are already losing – so keep raising the stakes until someone has to leave the game.  If it’s uncomfortable, perhaps it’s also sometimes necessary, to affect change of a fundamentally broken system.  You might not see the benefits yourself.  Hey, if you have to leave the game, then so be it: losing can become preferable to playing along, eventually.

There are always other games, other paths, whilst we are still alive – experience has taught me that, even if Shakespeare hasn’t.

And that’s where I find myself, professionally, this weekend.  Approaching change, but ready for it, and maybe, in some ways, relieved that an unhappy stasis has broken. There are always other games.

There is a third way – for revenge – I’ve not written about before.  The poet George Herbert (1593-1633) suggested that:

Living well is the best revenge.

And I’ll embrace and adapt that, in a ‘standing on the shoulders of giants‘ sense.

Living well equals happiness.  LAUGHTER is the best revenge.

Today, I intend to laugh at someone.  Long, and hard.

Let’s get moving, shall we?

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