Peter Saccio, Shakespeare’s English Kings: History, Chronicle, and Drama (Oxford University Press: Oxford, 2000)
One of the biggest problems with being on holiday with non-reading friends is that you become embarrassed by the amount of time you want, no NEED, to spend in bookshops.
So this was a book I could easily have missed whilst browsing a second-hand bookshop in Leominster. I was really lucky to have my other half on hand to find it out for me, because time was running out, and I was beginning to worry about the patience of the friends we were holidaying with, who had already politely wandered round the shop and were now at the ‘waiting outside for you‘ stage ….
And, regardless of my – or your – political beliefs, for the love of God, please VOTE tomorrow, if you’re entitled to. Never mind the hackneyed cliché: ‘people died so you could‘ argument – you have absolutely no right to complain about what happens over the next 5 years if you didn’t even make the smallest effort to effect a change …
Anyway, I visited isidewith, and tried to answer the questions as someone who died 401 years ago … here’s a selection of the conundrums I was faced with, plus the (firmly tongue-in-cheek) result …
Is it me, or does the guy in the picture look like a young James Comey?
Henry VI part III: act V
So, very belatedly, we reach the end of the road for Henry VI, and of history plays for a short while.I’m sad to say goodbye.The comedies aren’t generally my favourites, and these three HVI plays have been ones I’ve unjustly avoided until now.It’s been a brilliant rollercoaster ride.
Last time round, I said there could only be one, and finally, mercifully, someone does for Henry.And we all know who that someone is, right?Only one man for the job …
Edward V, like Edward II, like Richard II, like Macbeth, maybe even like Richard III, seems to think that the crown’s enough.Whilst there can be only one, physical possession of the golden round really isn’t a given. Everyone else has to believe you’re king – not just you!
They are but Lewis and Warwick; I am Edward,
Your King and Warwick’s and must have my will. (IV.i.15-16)
That’s all very well, but if it that attitude couldn’t save Julius Caesar:
‘I rather tell you what is to be feared / Than what I fear: for always I am Caesar’ (CAESAR, Julius Caesar I.ii.210-211)
– and he was a dozen times the man you are – then your goose is cooked.You have married in haste, and now you’re going to repent at leisure.Frankly, if Richard says so, it’s good enough for me:
For a while now, it’s been a vague ambition of mine to catalogue, mind map, or in some other way classify Shakespeare’s comedy, both in the comedic plays and elsewhere.In doing so I AM mindful (for those who know their SF) of the Asimov short, ‘Jokester’ (1956), where finally getting an answer as to why humans laugh results in humour dying forever …
Still, I’m always and increasingly drawing intertextual links between and beyond Shakespeare’s plays, and this is what strikes me about what Arden calls the ‘Induction’ – the Christopher Sly frame.It’s a cousin, maybe an ancestor, of the Rabelaisean idea of ‘Carnival’ that appears later on in: