Dan Jones, The Hollow Crown: The Wars of the Roses and the Rise of the Tudors, (London: Faber & Faber, 2015)
Dan Jones’ muscular account begins with Catherine de Valois’ marriage to Henry V in 1420, and ends in 1541, with the brutal execution of Margaret Pole (at 67) by Henry VIII; the final remnant of the Plantagenet dynasty to be mopped up by the Tudors.
To understand Richard, Duke of Gloucester, you must know him.Really know him …
And to know him, I think it’s essential we don’t look at his eponymous play in isolation.Think of it as a season finale. And like Margaret of Anjou, Richard’s character has been developing towards this climax – in my read-through, I’ve likened his journey to that of Anakin Skywalker from ‘freckled whelp’ to Sith Lord …
Bernardo and Francisco have a point. The entire path of the scene is determined by who is on stage. Think of the ways the conversation could go if instead of Bernardo, another unknown Dane approaches Francisco’s guard-post, or one of Fortinbras’ troops.
From Hamlet to real life, and the idea of decorum – behaving or speaking appropriately to the circumstances and audience.
… is that the job is, frankly, shit. And that you have to be a shit to do it successfully.
PTS read-through: King John, Act IV.
If you’re not ‘born great’, if you want to achieve greatness, you have to put in the hours, right? Just think of the graft involved: wheeling and dealing; equivocating; making and breaking alliances; sucking up; marrying well (not, alas, for love); adding colours to the chameleon; changing shapes with Proteus; and generally setting the murderous Machiavel to school.