We each owe a death. Let’s examine that of Harry Hotspur: a hero too big to be allowed to survive …
PTS read-through: 1 Henry IV, Act IV
“Kill your darlings, kill your darlings, even when it breaks your egocentric little scribbler’s heart, kill your darlings.”
Stephen King, ‘On Writing: A Memoir’ (London: Hodder and Stoughton, 2000)
Blame Phil Beadle, and his book ‘Rules for Mavericks: A Manifesto for Dissident Creatives‘ – he made me come back. Not knowing how long I’m here for, just testing the water, I thought it better to simply crack on and see how I felt afterwards: no cringing excuses or apologies for my lengthy absence; no promises either … publish and be damned, if you like.
First-time visitor? Click here and here to find out what Ponytail Shakespeare is all about. Then come back, read, and comment. Please do.
Let’s finish this magical play together, shall we?
Dan Jones, The Hollow Crown: The Wars of the Roses and the Rise of the Tudors, (London: Faber & Faber, 2015)
Dan Jones’ muscular account begins with Catherine de Valois’ marriage to Henry V in 1420, and ends in 1541, with the brutal execution of Margaret Pole (at 67) by Henry VIII; the final remnant of the Plantagenet dynasty to be mopped up by the Tudors.
They kill us for their sport.’ (King Lear, IV.i), [a]
In Nick Hornby’s terrific ‘High Fidelity’, the music-obsessed narrator, owner of a record store, is asked to name his favourite songs by a pretty, young journalist type. [b] He has an embarrassing meltdown. Stumbling out a few choices, he resorts to contacting her several times afterwards, with constant revisions to his ultimate ‘best of’ list, until he realises he’s practically stalking her …
Prince Hal is one of those annoying, frankly very boring people who simply don’t have sufficient imagination to have hobbies. The ones who pine away six months into hard-earned retirement, or keep coming into work after you thought you’d finally got rid of them, to ‘keep their hand in, and check the youngsters haven’t stuffed it up yet.’ AND they no longer contribute towards the coffee fund!
Bernardo and Francisco have a point. The entire path of the scene is determined by who is on stage. Think of the ways the conversation could go if instead of Bernardo, another unknown Dane approaches Francisco’s guard-post, or one of Fortinbras’ troops.
From Hamlet to real life, and the idea of decorum – behaving or speaking appropriately to the circumstances and audience.
Thankfully, we can’t have a third series of The Hollow Crown, but what about adaptations of the Roman plays?
If there’s one thing my (currently stuttering) Pony Tail Shakespeare read-through project has given me so far, it’s a greater love for the History Plays. Once the project is (eventually) finished, I’m looking forward to reading them again merely for pleasure.