And, regardless of my – or your – political beliefs, for the love of God, please VOTE tomorrow, if you’re entitled to. Never mind the hackneyed cliché: ‘people died so you could‘ argument – you have absolutely no right to complain about what happens over the next 5 years if you didn’t even make the smallest effort to effect a change …
Anyway, I visited isidewith, and tried to answer the questions as someone who died 401 years ago … here’s a selection of the conundrums I was faced with, plus the (firmly tongue-in-cheek) result …
‘death, a necessary end, will come when it will come’ (JULIUS CAESAR: Act II, sc ii)
subtitled:‘The not very tragic or lamentable death of the serial rotter, Suffolk, and the deservedly doomed distraction caused by Cade.’
It’s not quite acts three or four of Antony and Cleopatra, but this act does get into double-figures in terms of scenes – something I find irritating as a reader, in a way that I don’t find when listening to or watching the plays. Still, basically, Act IV boils down into two episodes, as the subtitle suggests.
[subtitled: “It’s always the quiet ones you need to watch out for.”]
As I finished the play, it occurred to me that women play a much larger role than I might have guessed back in the heady days of January, when I started seriously thinking about this project.Perhaps I might refine that to say that French women.
What was/is it about the allure of French women to English men?