I wonder if there was a time when, at least as an adult, the name Germaine Greer was unknown to me. Yet this slim volume, picked up in the last mad pre-demolition trolley dash round our old sixth-form building almost a year ago, is my first reading of any of her works. I feel a bit embarrassed about that.
Soon there won’t be much room for customers at The Boar’s Head.
… although it still isn’t keeping pace with my book buying. Buying books and reading books operate in entirely different dimensions, as my overflowing bookshelves will tell you. When I hit 100 books, which isn’t far off, if you include the Arden Third editions of the plays themselves, I may have to employ an orangutan to take the bookshelf into L-space. (GNUSir Terry Pratchett)
Ponytail Shakespeare read-through – Richard III (Act I, scene i)
Larger than life. One of a kind. Brash on the outside, to mask an inner vulnerability. The ultimate showman, whose memory lives on long after his death. Freddie Mercury is all these things, too …
I’ve arrived at Richard III, the first play in my read-through that I know well, with a sense of awe, almost a fear of not doing him justice. Unusually, I’m as tentative as I might have been had I met him with a pathetic autograph book in my hand (or Mercury, whose death in 1991 touched me as few other celebrity deaths have: Prince and Sir Terry Pratchett are the only others that I register, emotionally). My relationship with Richard grows more obssessive and complex every time I teach him, and my recent book-buying seems unconciously centred round the historical Richard and the major players in his accession and downfall. I’ve also realised there is no way I can do this in the usual 1,000-ish-words-per-act format, so all I’m going to do is try to avoid 1,000 words-per-scene, if I can.