Today marks two year since Prince died. It’s not that long ago that I confessed that his was one of the very few celebrity deaths that have personally touched me. Step aside, Princess Diana! People have got tired of me saying he was the ‘effing Mozart of his age‘, I think.
This weekend is a busy one – or should be. One of my favourite watering holes, Beerwolf, are hosting a live music tribute on Sunday afternoon, marvellously entitled ‘Prince you’ve been gone‘. I suspect this might put a dent in my Sixth Form marking – sorry, people.
Whilst there’s an argument to be made that Shakespeare himself was a multi-faceted genius, you know me by now: I started thinking about who the Shakespearean ‘Prince’ might be. These were my criteria …
Continue reading “A Prince amongst men …”
Ponytail Shakespeare read-through – Richard III (Act I, scene i)
Larger than life. One of a kind. Brash on the outside, to mask an inner vulnerability. The ultimate showman, whose memory lives on long after his death. Freddie Mercury is all these things, too …
I’ve arrived at Richard III, the first play in my read-through that I know well, with a sense of awe, almost a fear of not doing him justice. Unusually, I’m as tentative as I might have been had I met him with a pathetic autograph book in my hand (or Mercury, whose death in 1991 touched me as few other celebrity deaths have: Prince and Sir Terry Pratchett are the only others that I register, emotionally). My relationship with Richard grows more obssessive and complex every time I teach him, and my recent book-buying seems unconciously centred round the historical Richard and the major players in his accession and downfall. I’ve also realised there is no way I can do this in the usual 1,000-ish-words-per-act format, so all I’m going to do is try to avoid 1,000 words-per-scene, if I can.
How has Shakespeare done this to me?
Continue reading “PTS 07/039: (Find Me) Somebody To Love”