PTS 07/040: Grab your coat, love – you’ve pulled …

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‘What though I killed her husband and her father?’

Richard III:  Act I sc ii (Ponytail Shakespeare read-through)

Sub-title:  ‘Do you have free wi-fi?  Because I’m sensing a connection …’

At school, we have a department policy of sitting boy-girl where possible (until sixth form, at least), and in most classes there is a combination that seems to get on that bit too well.  So, I’ve been researching chat-up lines I can embarrass those pupils with.  Yes, I’m that kind of teacher …

These are the best clean ones I’ve found so far.  If you can top this, let me know.

Anyway, back to the play!  Shrug.  If you’ve decided to behave badly, you may as well test your strength straight away, right?  If we accept, after my last post, that the main thing on Richard‘s mind is the constant, inevitable rejection of women, it follows that his next step in the play (the true story is somewhat different) is to seduce someone …

(Can I also say it hurt my eyes to search for this image?  

See the lengths I am willing to go to for you?)

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PTS 07/039: (Find Me) Somebody To Love

BH freddie mercury

Ponytail Shakespeare read-through – Richard III (Act I, scene i)

Larger than life.  One of a kind.  Brash on the outside, to mask an inner vulnerability.  The ultimate showman, whose memory lives on long after his death.  Freddie Mercury is all these things, too

I’ve arrived at Richard III, the first play in my read-through that I know well, with a sense of awe, almost a fear of not doing him justice.  Unusually, I’m as tentative as I might have been had I met him (or Mercury, whose death in 1991 touched me as few other celebrity deaths have:  Prince and Sir Terry Pratchett are the only others that I register, emotionally) with a pathetic autograph book in my hand.  My relationship with Richard grows more obssessive and complex every time I teach him, and my recent book-buying seems unconciously centred round the historical Richard and the major players in his accession and downfall.  I’ve also realised there is no way I can do this in the usual 1,000-ish-words-per-act format, so all I’m going to do is try to avoid 1,000 words-per-scene, if I can.

How has Shakespeare done this to me?

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PTS 03/016: Young Skywalker is in pain …

BH young skywalker is in pain
THIS is the look I’m talking about …

Henry VI part III, act II

In Act I, I wondered about how Richard might respond to the loss of the father he seems so close to, and explored the ongoing death of chivalry and nobility.

It doesn’t take long to see both of these ideas addressed in Act II …
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‘A delightful society’ …

holinshedYou are holding in your hands one of the most interesting, influential – and readable – books in British history.

Raphael Holinshed’s Chronicles of England, Scotland and Ireland have long been famous as the key source of Shakespeare’s history plays.  Given the role of Shakespeare’s view of Tudor history in shaping English nationalism, Holinshed’s long-term influence on British culture and English literature can hardly be overstated.  Michael Wood (intro), Holinshed Chronicles  (The Folio Society:  London, 2012)

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