To buy, or not to buy …

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Students, people who know me, or indeed regular visitors will know I have a bit of a fetish for Lego

Just to be clear, I don’t play with it, but I do collect some of the minifigures, photograph them – sometimes for classroom posters, or just because I generally like them.  My Schemes of Work for school, like the one on Conan Doyle‘s The Sign of Four, is full of Lego pics.  I buy plenty of minifigures.

Imagine, though, the situation …

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The Bookshelf just keeps growing …

Books in the vault, Deck C, Folger Shakespeare Library, 9/11/09
image courtesy Folger Library

Soon there won’t be much room for customers at The Boar’s Head.

… although it still isn’t keeping pace with my book buying.  Buying books and reading books operate in entirely different dimensions, as my overflowing bookshelves will tell you.  When I hit 100 books, which isn’t far off, if you include the Arden Third editions of the plays themselves, I may have to employ an orangutan to take the bookshelf into L-space.  (GNU  Sir Terry Pratchett)

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Quote of the Week: 11 September

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BATE, Jonathan: ‘Introduction’, in Titus Andronicus (The Arden Shakespeare: London, 2003)

Some students see value in Literature as an end in itself.  Others need a bit of persuading about why they have to study poetry, novels, and of course Shakespeare in particular (sigh).

‘What’s Shakespeare got to do with me?  I want to be an air hostess!’

I was asked by a Year 9 pupil a few years ago.  Henry Peacham, via Jonathan Bate, has an answer.

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PTS 06/035: The Rally of Revenge

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Titus decides to deploy his ultimate weapon …

Titus Andronicus, Act III

Bear with me on this: I’m an English teacher, and I talk – no think – in similes and metaphors.  “It’s what I do!”, as David Mitchell might say in BBC‘s Upstart Crow.

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PTS06/033: Thou Shalt not Suffer A Queen To Live

(Ponytail Shakespeare read-through) Titus Andronicus:  Act I

My experience of Shakespeare’s Rome is the city where Cinna the Poet is torn apart by the mob for his ‘bad verses’ (Julius Caesar, III.iii), and the antagonistic opening to Coriolanus. So, what first struck me as the play opened was just how thin the veneer of civilisation proved to be.

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PTS 05/031: I Don’t Know Whether To Laugh or Cry …

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‘Good comedy is tragedy narrowly averted’ Jonathan Bate

The Two Gentlemen of Verona:  Act V

Over the past year I’ve used the question ‘What’s in a name?’ more than once, dismissing labelling in its many forms, but this feels the best way of articulating my unease with The Two Gentlemen as I finish the play …

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