‘Know your place’, the world of literature seems to scream. ‘Or else …’
If there’s anything I enjoy as much as anti-heroes, it’s tales of Promethean over-reachers.
Christopher Marlowe belongs in that category, I believe …
Continue reading “Forensic Friday (#07): Edward II, (iv.15-21)”
Antipholus (E) is NOT a twenty-first century role model – but was he a sixteenth-century one?
… but truly two.’ Robert Louis Stevenson, The Strange Case of Dr Jekyll and Mr Hyde.
PTS read through: Comedy of Errors, Act IV
In 2018, the notion of what it means to be a ‘man’ feels ever more opaque, with behaviours and attitudes being scrutinised as never before, perhaps. As a gender, we sometimes appear confused about the path we ought to take to find a satisfying and yet socially acceptable direction or self-definition.
Maybe it was ever thus.
In yesterday’s post on Macbeth I touched upon the fragility of our hero’s notions of himself when his masculinity was challenged by his wife. Macbeth is largely a play about what it means to be a man, but that’s way down the line in terms of my reading schedule. Reading Act IV of Comedy of Errors felt like one of those non-comic interludes towards the end of plays like Much Ado About Nothing, and instead of laughing, I found myself thinking about what Antipholus (E) implies a ‘man’ should be. It’s not an attractive picture …
The Boar's Head, Eastcheap 