PTS 09/053: A Reminder to Rebel

I’d stopped listening to the voices in my head, and actually, they’re the important ones in English.

BH Green Goldfish

My Ponytail Shakespeare read-through project is behind schedule.

Not drowning, necessarily – still waving, to paraphrase Stevie Smith, but wishing I wasn’t quite so far away from the shore, paddling blithely in the warm shallows of Romeo and Juliet, as I should be by the end of January; having splashy fun with the rest of the blog and my new excursions on Twitter.  But fifty-plus posts and nine plays in?  Not dead.

That said, despite plenty of opportunity, I’ve ‘not got round to‘ reading Act III of Love’s Labour’s Lost.  I’m still reading:  Iain M BanksPaolo Bacigalupi, and chunks of George Wilson Knight on Julius Caesar, but, when all’s said and done, no Shakespeare or LLL.

We might say I’ve lost any love of my labour in this play … (sorry about that)

Why?

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PTS 08/050: The Comedy of Errors Soundtrack Album

Another selection of songs curated with the characters in mind …

bh-wurlitzer

As usual, the PonyTail Shakespeare read-through of a play ends with a ‘Soundtrack Album’.

As usual, it probably says a lot about my poor taste in music.

As usual, I’d love you to let me know what’s missing …

 

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PTS 08/048: Man is not truly one …

Antipholus (E) is NOT a twenty-first century role model – but was he a sixteenth-century one?

BH jekyll hyde

… but truly two.’  Robert Louis Stevenson, The Strange Case of Dr Jekyll and Mr Hyde.

PTS read through:  Comedy of Errors, Act IV

In 2018, the notion of what it means to be a ‘man’ feels ever more opaque, with behaviours and attitudes being scrutinised as never before, perhaps.  As a gender, we sometimes appear confused about the path we ought to take to find a satisfying and yet socially acceptable direction or self-definition.

Maybe it was ever thus.

In yesterday’s post on Macbeth I touched upon the fragility of our hero’s notions of himself when his masculinity was challenged by his wife.  Macbeth is largely a play about what it means to be a man, but that’s way down the line in terms of my reading schedule.  Reading Act IV of Comedy of Errors felt like one of those non-comic interludes towards the end of plays like Much Ado About Nothing, and instead of laughing, I found myself thinking about what Antipholus (E) implies a ‘man’ should be.  It’s not an attractive picture …

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PTS 08/047: Cheats Never Prosper?

Near misses, and fascinating Misses – Luciana’s journey continues …

BH why-do-women-cheatPonytail Shakespeare read-through:  The Comedy of Errors, Act III

We’ll come to the idea that ‘cheats never prosper‘ in a while.  It’s a busy act.

In the meantime, sometimes the margins in comedy and tragedy are very, very fine. Exactly like in real life, actually …

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PTS 08/046: A Tale of Two Sisters

Doormat or A-dor-ably Feisty? Luciana and Adriana swap roles in Act II …

BH Sisters
Who needs a man when you have a sister?  Adriana, that’s who …

Ponytail Shakespeare Read-Through: The Comedy of Errors, Act II

Aha!  A single woman in a Shakespeare comedy – what she needs is a HUSBAND, I thought, my Jane Austen goggles firmly on.  In this, I was egged on by Kent Cartwright, as I mentioned in writing about Act I, and who colluded with Jane and my previously-held assumptions.

And what a catch Luciana appears to be for our unreconstructed EMP man!

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The ‘Punatomic’ Particle

By 5:15 we were all questioning whether we actually existed …

BH punatomic particle

Like Dante, as the Inferno unfolds, I found myself at a crossroads on St Andrew’s Day, and the way forward was unclear.  I had a little time to kill: I could walk round the block, or dive into a pub.  Within minutes, I was soaking up the warmth in The Bluebell, a decent pub I’ve not been to in several years.

The place was almost deserted.  For the rest of the world, it was that limbo between going home for tea (those who had already been drinking), and going to the pub for a couple after work.  For various reasons, I fell between both those stools.  So it was me, a pint of Titanic‘s Plum Porter, Aidan behind the bar, and Jamie – who had a bus to catch. 

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PTS 08/045: Oh, no it isn’t! Oh, yes it is …

You just can’t tell some people that you wouldn’t HAVE Blackadder without Shakespeare …


Ponytail Shakespeare read-through The Comedy of Errors: Act I scene I

‘Which is it today?’
The Comedy of Errors.
‘Ugh!’
‘It’s about two sets of twins, separated at birth, who find themselves-‘
‘Stop! Enough!’
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