You ought to know me by now, after almost 4 years and not far off 400 posts …
Not overly-blessed with common sense (as my Dearest Partner of Greatness) would confirm; prone to flights of giddy excitement, silliness even; with a pretty good memory for quotations and an eye for intertextual connections; but usually sceptical when it comes to wild conspiracy theories, especially about Shakespeare.
So I want to be clear that this is not one of the latter.
Dan Jones, The Hollow Crown: The Wars of the Roses and the Rise of the Tudors, (London: Faber & Faber, 2015)
Dan Jones’ muscular account begins with Catherine de Valois’ marriage to Henry V in 1420, and ends in 1541, with the brutal execution of Margaret Pole (at 67) by Henry VIII; the final remnant of the Plantagenet dynasty to be mopped up by the Tudors.
Thankfully, we can’t have a third series of The Hollow Crown, but what about adaptations of the Roman plays?
If there’s one thing my (currently stuttering) Pony Tail Shakespeare read-through project has given me so far, it’s a greater love for the History Plays. Once the project is (eventually) finished, I’m looking forward to reading them again merely for pleasure.
Mistrust might be too strong a word, but there was always a youthful rebellious streak in me (Catholic-educated in what was at the time a pretty Catholic town), pushing against what I increasingly viewed as the bastard child of The Party in Orwell‘s Nineteen Eighty-Four and a medieval Ponzi scheme. The Catholic hierarchy increasingly personified notions of hypocritical middle-men, ‘eternal life’ assurance brokers, gatekeepers against the hereafter who would feed on the poor, vulnerable and frightened, whilst actually allowing anyone through, if the price was right.
Finally, I officially ‘fell out’ with God in a completely predictable spat – over bureacracy, not the Bible; red tape, not redemption; compliance, not communion …
“Don’t expect gratitude from anyone who makes it thanks to you”
Subtitled: The Curse of the ‘Without-Whoms’
Niccolò Machiavelli, Il Principe (The Prince) original publication 1532
This is close to the top of my list of for the Cultural Capital series – a short, highly influential read, freely available: something which, frankly, you ought to have read by the time you hit university – whether or not you are an English Lit student.It’s the kind of thing that certain people, in certain circles, will expect you to have a working knowledge of in the big bad world.
Anyway, to this week’s quotation.Consider the following: