A Prince amongst men …

Nothing compares to WHO?

 

BH prince

Today marks two year since Prince died.  It’s not that long ago that I confessed that his was one of the very few celebrity deaths that have personally touched me.  Step aside, Princess Diana!  People have got tired of me saying he was the ‘effing Mozart of his age‘, I think.

This weekend is a busy one – or should be.  One of my favourite watering holes, Beerwolf, are hosting a live music tribute on Sunday afternoon, marvellously entitled Prince you’ve been gone.  I suspect this might put a dent in my Sixth Form marking – sorry, people.

Whilst there’s an argument to be made that Shakespeare himself was a multi-faceted genius, you know me by now: I started thinking about who the Shakespearean ‘Prince’ might be.  These were my criteria …

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Crimes Against Shakespeare 011: beware Shakesphobia

Don’t Panic, as Douglas Adams might say. Together we can beat this awful disease.

BH shakespeare-signature-shutterstock2

This is a PUBLIC HEALTH WARNING brought to you by the Boar’s Head, Eastcheap.

There is a deadly, debilitating disease sweeping schools in the UK.  Parents, teachers, and especially students need to be informed.  Many people do not realise they have it until it is too late.  Treatment can be lengthy, and painful, and some patients (err, I mean students) never recover.

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Quote of the Week: 16 April 2018 (#37)

The beard maketh the man, it seems …

BOTTOM:  What beard were I best to play it in?

QUINCE:  Why, what you will.

BOTTOM:  I will discharge it in either your straw colour beard, your orange-tawny beard, your purple-in-grain beard, or your French-crown-colour beard, your perfect yellow. [a]

Although The Guardian confidently proclaimed we’d reached ‘peak beard’ two years ago – in fact exactly two years ago today [b] – I stopped shaving before Christmas.  I’m far from a fashion victim: this was initially sheer laziness (I loathe shaving); now increasingly compounded by curiosity about exactly what I might grow.  After nearly thirty years of a more-or-less maintained goatee, I’ve gone wild.

It’s a work in progress (and had to survive a pre-Portugal pruning by She Who Must Be Obeyed), but I’ve ended up with a hybrid: think the hirsute love-child of Hemingway and Fidel Castro … the addition of a very disreputable cap during my Easter hols jolly to the Algarve has added, I like to think, a revolutionary aura to the whole thing.  Plus, some students have given it a name of its own, like a stray dog.  So, the beard is staying – for now.

Naturally, this started me thinking about beards and the Bard …

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PTS 11/066: Alas, poor Richard …

For God’s sake, let us sit upon the ground, and tell sad stories of the death of kings …

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PTS read-through:  Richard II, act III (part ONE)

Witnessing the utter disintegration of a human being – even a fictional one – is, I’d suggest, an uneasy, distressing experience.  And yet … 

Voyeuristic shame accompanies the compulsion to keep spectating what is usually such a private affair.  My first experience of this type of slow-mo car-crash literature was Hardy’s The Mayor of Casterbridge, when I was about 12.  It scarred me – I’ve never quite been able to revisit Michael Henchard’s self-induced immolation; it also, I think, gave me my first seductive bittersweet taste of tragedy.  Like that initial stolen underage drink, whilst I wasn’t quite sure I liked it, I wanted another – just to be certain.

Richard’s collapse is the most devastatingly beautiful in Shakespeare, perhaps in the wider canon: it begins here, spanning three poignant acts. 
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Machiavelli: The Prince (review)

‘… men must be either pampered or crushed …’

BH the prince 9780141912004Niccolò Machiavelli:  The Prince, (transl. George Bull, ed. Anthony Grafton), (Penguin Classics: London, 2003).  e-book ISBN: 9780141912004 (£2.99)

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Niccolò Machiavelli … the name has a seductive musicality, like all the Devil’s best tunes, and in Italian, ‘Il Principe’ uncoils like a snake, before hissing and then biting. This, his most famous work, has insinuated its way into our psyche until ‘Machiavellian’ has become part of a sinister cabal of authorial-adjectives including ‘Orwellian‘, ‘Lovecraftian’ and ‘Kafkaesque‘.  Yet how many people appreciate its true meaning, having read ‘The Prince’?  Is its reputation merited?  Is it a useful, topical read, or a dusty, centuries-old curiosity?

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PTS 11/065: Stop being such a Dick, Richard!

‘On Brexit, and Ignoring the Advice of Uncles’, as Montaigne might have written …

 

King Richard II

PTS read-through:  Richard II, act II

Richard II plays against the backdrop of an enormous cosmic clockface.  Our poetic but ineffective, spiteful monarch ends act I cynically hoping to arrive too late; he begins act II suffering the consequences of being early, getting an earful from his uncle.

What Richard does miss, though, is Uncle Gaunt’s remarkable crie de couer on the state of the nation.  It’s an interesting, beautiful swansong, the breathless anaphora creating a crescendo of patriotic fervour – but I have three issues with it.

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Quote of the Week: 09 April 2018 (#36)

We all have something we can’t part with when we go abroad, surely?

BH suitcase-full-of-books

Kent Cartwright, ‘Introduction’ to William Shakespeare, The Comedy of Errors (Arden Third Edition), (Bloomsbury Publishing:  London, 2017)

Her:  [hefting my Arden Third copy of Richard II in her hand] ‘Don’t you think it’s a bit heavy to take on holiday?’

Me:  [defensively] ‘It’s as heavy as it needs to be.  That’s why you pay more for the Ardens.  And anyway, that’s the text I’m writing about at the moment.’

Her:  ‘But we’re going away.  You can access the play online.’  [statement, not a question]

Me:  That’s not the same!

Her:  [giving a silent ‘look’ and the merest suggestion of a shrug with one shoulder]

You probably know that look …

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