A plague on both your houses …

BH The Black Death 2‘When ignorant men are overwhelmed by forces totally beyond their control and their understanding it is inevitable that they will search for some explanation within their grasp.  When they are frightened and badly hurt then they will seek someone on whom they can be revenged. […]  What was needed, therefore, was a suitable target for the indignation of the people, preferably a minority group, easily identifiable, already unpopular, widely scattered and lacking any powerful protector.’

Philip Ziegler, The Black Death, (The Folio Society, London: 1997)  Cover image:  Francis Mosley

The plague was too immediate, too visceral, for Shakespeare to include more than a passing reference to it in his plays.  In Romeo and Juliet it’s a factor in the tragedy, but at a safe distance.

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You’ll put down strangers?

This isn’t a political blog, at all.  It’s not supposed to be, at least.

But, for shame.  I can’t sit by.  Nor, I’d like to think, would Shakespeare …

bh-statue-of-bigotry
Photo  by Abel Guerrero

Lou Reed sung, in ‘Dirty Boulevard’:

Give me your hungry, your tired, your poor I’ll piss on ’em

That’s what the Statue of Bigotry says

Your poor huddled masses

Let’s club ’em to death

And get it over with and just dump ’em on the boulevard

And Shakespeare?

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Like Hyperion to a satyr …

bh-hyperion-to-satyr

Back in November I compared the next President of the USA to Richard III. A little reluctantly, given I have some sympathy, and a degree of fondness, for Richard.

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Is Donald Trump Richard III reincarnated?

riii-csf-2013-82250
I took this image of ‘Richard’ at the Cambridge Shakespeare Festival in 2013.

“I am unfit for state and majesty”

Why do we still study Shakespeare 400 years after his death?

Our year 12 stint on Richard III is now beginning to wane – we start Act 5 next week, and will essentially be done by the end of the Autumn Term on 16 December.  Then I’ll sadly take a break from teaching Shakespeare until after Easter, when I’ll be looking at Much Ado About Nothing (year 8), probably Hamlet or Julius Caesar (year 9), and Macbeth (year 10).  My only ‘early modern’ fix in the Spring term is Marlowe’s Edward II.  Happy Days.

As the year 12 course has unfolded, keeping pace with the final stages of the US elections, I’ve found it increasingly difficult to leave the next leader of the free world out of our discussions.  With one difference:  I grudgingly admire one of these larger-than-life characters, and have nothing but contempt for the other …

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