PTS 06/036: Losing My Religion

BH old man yells at cloud

Titus Andronicus, Act IV

Secular authorities had (and still have) every investment in discouraging revenge.  If citizens perceive that the law no longer serves them, then we get the kind of situation that Francis Bacon famously warned of:

‘Revenge is a kind of wild justice’

And this is a point that Jonathan Bate develops, quoting Fredson Bowers:

Private action undermines the authority of the state:  Elizabethan law felt itself capable of meting out justice to murderers, and therefore punished an avenger who took justice into his own hands just as heavily as the original murderer.  The authorities, conscious of the Elizabethan inheritance of private justice from earlier ages, recognised that their own times still held the possibilities of serious turmoil; and the were determined that private revenge should not unleash a general disrespect for law.

Act IV however adds the dimension of the breakdown of DIVINE justice to the individual’s decision to subvert the legal process.

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PTS 06/034: Dreams to give us pause …

BH fuseli nightmare
Fuseli, ‘The Nightmare’ (1781)

‘To sleep, perchance to dream – ay, there’s the rub’  (HAMLET: III.i.64)

Titus Andronicus: Act II

What tragedy would be complete without some element of the supernatural, as I have already intimated? This dreadful (in the sense of being full of dread, NOT poor quality) act begins with that classic Shakespearean trope, the bad night’s sleep:

‘I have been troubled in my sleep this night.’ (TITUS: II.i.9)

And Titus has every reason to be subconsciously troubled: although he begins the act quite enthusiastically:

‘The hunt is up’ (II.i.1)

He cannot imagine who the ‘dainty doe’ (DEMETRIUS: II.i. 26) might actually be ..

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PTS06/033: Thou Shalt not Suffer A Queen To Live

(Ponytail Shakespeare read-through) Titus Andronicus:  Act I

My experience of Shakespeare’s Rome is the city where Cinna the Poet is torn apart by the mob for his ‘bad verses’ (Julius Caesar, III.iii), and the antagonistic opening to Coriolanus. So, what first struck me as the play opened was just how thin the veneer of civilisation proved to be.

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PTS 05/032 The Two Gentlemen of Verona soundtrack album

bh-wurlitzerIf you look at my act-by-act commentary for this play, you’ll see that the fifth instalment of my Ponytail Shakespeare read-through wasn’t without its moments.

Nonetheless, I’ve managed to compile a soundtrack album for the play.  For the first time, largely because I want to encourage you to look at Lisa Mills‘ video, I’ve added Youtube links for all tracks.  Enjoy!

Please get in touch below with your additions or comments.

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PTS 05/031: I Don’t Know Whether To Laugh or Cry …

BH comedy tragedy

‘Good comedy is tragedy narrowly averted’ Jonathan Bate

The Two Gentlemen of Verona:  Act V

Over the past year I’ve used the question ‘What’s in a name?’ more than once, dismissing labelling in its many forms, but this feels the best way of articulating my unease with The Two Gentlemen as I finish the play …

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PTS 05/030: There’s nothing ill …

BH mirror mirror
Mirror, mirror, on the wall …

The Two Gentlemen of Verona:  Act IV

Thus far, I feel like I’ve been quite objective about the play, glossing over the obvious errors about travelling by boat between land-locked cities, etc. I’m not one to lionise Shakespeare (whatever my other half thinks), but nor am I interested in joining the current fad I see online for ‘dissing’ him.

Having said that, Act IV begins with a ‘mote to trouble the mind’s eye‘, though – and more on it later, but Act V trumps even this episode. What am I talking about?

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Boar’s Head Bookshelf update: ‘travelling light’ …

Books in the vault, Deck C, Folger Shakespeare Library, 9/11/09
image courtesy Folger Library

Spending practically all of the summer holidays away from home, you’d think I travelled loaded with books?

Not a bit of it – I simply brought down my Ponytail Shakespeare texts, so I could try to catch up on writing about the read-through.  Plus, experience told me that I’d be buying books wherever I went.  Shakespeare’s an exacting master, and wherever I go I usually end up returning to Cumbria laden like a donkey.

Half way through the hols, my score so far is:

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PTS 05/029: Would I Lie To You?

BH pinocchio

Ponytail Shakespeare: The Two Gentlemen of Verona, Act III.

Like so many of Shakespeare’s villains (and here perhaps I have Iago uppermost in mind) Proteus is a decent dissimulator, and Act III begins with his breathless betrayal of his best friend.

How does Shakespeare make Proteus credible?

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PTS 05/028: Et tu, Proteus?

BH betrayal

Ponytail Shakespeare:  The Two Gentlemen of Verona, Act II.

If The Taming of the Shrew was about disguises, William C Carroll is right in considering The Two Gentlemen as a text about metamorphosis in the tradition of Ovid.

Before we look at these transformations, though, a word on Silvia. It drives me mad every time I hear or read someone preface some ill-informed remark with ‘Shakespeare was …’ More on this at regular intervals, I suspect. But for the moment, let’s take a small nibble at ‘Shakespeare was misogynist.

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PTS 05/027: The Arch of Experience

BH durdle door 2
I am a part of all that I have met;
Yet all experience is an arch wherethro’
Gleams that untravell’d world whose margin fades
For ever and forever when I move.                                                                                                                     (Alfred Lord Tennyson, Ulysses)

The Two Gentlemen of Verona:  Act 1

Recently, I wrote about bringing your personal baggage to your interpretation and enjoyment of texts. It’s why I re-read: every few years I genuinely believe I approach a text as a different person, changed in infinite, indescribable ways by my experiences.

This is my first time with the Two Gentlemen, though, and I approached this text with some trepidation. It has a reputation – despite being the first play performed at the newly-built Globe – and Dennis Carey‘s reaction on being asked to direct the play was not reassuring:

“I had only just read the play, and was badly shaken. Could the author really be grateful to anyone for preserving this youthful, unfinished, minor exercise?”

A read-through is a read-through, though …

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