Edward II: there may be spoilers ahead!

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X-axis, scene number; Y-axis, number of lines; icon, major events

A Level pre-Easter mock assessments next week, and it struck me that amongst all the resources I had curated or created for my students, we didn’t have a decent synopsis of Edward II, for those who can never quite remember the story, or what happens when.

I had a train journey in front of me.  What else could/would I do?

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Book Review: Lamentation, CJ Sansom

cover lamentation

If last year was one in which I read hardly any fiction, then 2019 is one in which I’ve gone the opposite way, making a point to explore some of the popular Tudor historical fiction byways …

At some stage I might even produce a comparative guide, but for the moment here’s a review of ‘Lamentation‘, sixth instalment of CJ Sansom‘s ‘Shardlake’ series.

 

 

 

 

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QotW (#70): 04 March 2019

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Elizabeth I looms in the background of Shakespeare’s early-to-mid work like the spectre at the feast.

It isn’t solely the question of censorship: she is, I think, the yardstick for every depiction of monarchy, leadership or indeed of strong women.  Remember, too, that after a frantic period when the monarch (and ruling religion) changed every few years, she assumed the throne before Shakespeare was born, and was perhaps one of the few constants in that dangerous, fluid age, until she died in 1603.

She was also a real anachronism – a woman ruler in an incredibly patriarchal society.  But was she a feminist?  Should she be regarded as a feminist icon now?

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Half-Term Book Haul (Feb 2019)

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So near, and yet so far …

Not quite as frugal as October 2018‘s haul, sadly, but on the whole equally satisfying.

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QotW (#69): 25 February 2019

Illustration; Bear Baiting with dogs in the 16th century
‘They have tied me to a stake; I cannot fly,
But, bear-like, I must fight the course’. Macbeth, V,vii [a]
If you flick over to my Goodreads page, you’ll see me taking in a lot more historical fiction this year, and unusually, this week’s quotation is taken from one of them – albeit the introduction.

It’s something to especially bear in mind now The Merchant of Venice has come round in my read-through.

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Forensic Friday 012: Richard III, I,iii

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SEEMS like a nice girl …

And we’re back with Forensic Fridays

Partly because I’m teaching Richard III to a new A Level class, partly because my exam class will benefit, should they ever visit (you know who you are), and partly because yes, they are fun.

You can see the full rules here, but if you’ve been before, the task is to write a prize-winning forensic analysis of a very short extract in just 250 words, working to OCR’s mark-scheme in order to provide some models for my students.

In this passage, I returned to the dramatic moment when deposed Queen Margaret of Anjou, devastated by the killings of her son and then her husband (within 17 days, historically), calls down the heavens to curse Richard, Duke of Gloucester, who in the Henry VI cycle did what had to be done.  It’s a very tense moment …

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PTS 14/084: Why dost thou spit at me?

camel
[title from Richard III: I, ii]
Ponytail Shakespeare read-through:  The Merchant of Venice, Act I

Bring your baggage to the texts‘, I always say …

By this I mean your life experiences, the nature, the nurture, the things that define you, good and bad.  These are what make your responses to texts individual; they are what lets texts get under your skin as you measure yourself against the moral and ethical dilemmas they present; they, as experience changes you, are what make occasional re-reading such a thought-provoking and rewarding exercise.

So why am I feeling so uneasy about Antonio this time round?

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