PTS 12/076: Keep Your Snake In Its Cage, Boy …

The more I admire Juliet, the more protective I get about her …

BH watching you

PTS read-through:  Romeo and Juliet, Act II, sc. ii

‘He jests at scars that never felt a wound.’ (II.ii.1) [a]

This is one of the reasons why I avoid teaching R&J at GCSE.

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(book review) Melnikoff: Edward II – A Critical Reader

At £20+, you need a real connection to the play to get your money’s worth.

BH edward ii critical reader

Kirk Melnikoff (ed.), Edward II: A Critical Reader (Arden Early Modern Drama Guides), (Bloomsbury Publishing:  London, 2017)

 

 

 

 

This is my first taste of the Arden Early Modern Drama Guides series; my overall impression was a positive one.

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Charry: Arden Guide to Renaissance Drama (review)

An excellent addition to college / uni library shelves. Less sure about your personal collection …

BH brinda charry

Brinda Charry, The Arden Guide to Renaissance Drama: An Introduction with Primary Sources (Arden Shakespeare) (Bloomsbury Publishing, London: 2017) £18.99 (paperback)

Renaissance plays are among the world’s most valuable literary artifacts. They are also historical documents, ideological statements, philosophical reflections and theatrical scripts.

Brinda Charry has produced a relatively accessible and comprehensive overview of the period and its drama, split into two distinct sections.

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PTS 12/075: Veni, Vidi, Basiavi

I came, I saw, I kissed …

High Five Business people
… palm to palm is holy palmers’ kiss.

PTS read-through:  Romeo and Juliet:  Act I sc v

And so we reach that eighteen-line sequence …

These famous passages become a little daunting, because hey, what can you say that hasn’t already been said in the past four-hundred years?  Yet, as an educator, you have to step up to the plate: after all, this is what I encourage, almost demand, my students to do, isn’t it?  We give them something which is one of the foundations upon which our literature and culture is built, and entice them with the promise of better marks for originality.

So here are some personal views on Romeo and Juliet’s meeting, and then I look for something else to say on pieces of this short scene that receive somewhat less attention.

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Quotation of the Week: 20 August 2018 (#54)

Marlowe didn’t join them; he wanted to beat them, I think …

BH marlowe malcontent

Marlowe increasingly seems a malcontent, fringe figure, occupying some very liminal spaces indeed on the shadowy edges of society …

Three weeks ago, I suggested that Marlowe had ‘learned too much at school‘,  contributing to his generally accepted ‘atheism’.  This week’s quote follows that, to consider his attitude to class … it also provides another useful adition to our store of understanding of why EMP writers wrote in the florid (at least to modern ears) style that they did.  Getting to grips with this is, I maintain, key to deciphering the texts.

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Forensic Friday (#09): Edward II (iv.400-407)

Without any protection from his class background, Gaveston’s fall was always going to be fatal.

BH alex honnold
Alex Honnold – image: Jimmy Chin

Meet Alex Honnold:

‘history’s greatest ever climber in the free solo style, meaning he ascends without a rope or protective equipment of any kind.'[a]

Just researching a picture for this post made me feel a little nauseous …

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PTS 12/074: Carry on, Nurse (and Mercutio) …

BH carry on nurse
I see Queen Mab has been with you …

PTS read-through:  Romeo and Juliet: Act 1, scenes iii and iv

Why is R&J funnier than Love’s Labour’s Lost, or the Comedy of Errors?

Whilst Jonathan Bate tells us that Shakespeare:

borrowed certain techniques of dramatic cross-dressing and comic overhearing from John Lyly [a]

the spine of the comedy here is firmly character-driven, by Juliet’s Nurse and Mercutio. That’s why …
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