PTS 07/040: Grab your coat, love – you’ve pulled …

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‘What though I killed her husband and her father?’

Richard III:  Act I sc ii (Ponytail Shakespeare read-through)

Sub-title:  ‘Do you have free wi-fi?  Because I’m sensing a connection …’

At school, we have a department policy of sitting boy-girl where possible (until sixth form, at least), and in most classes there is a combination that seems to get on that bit too well.  So, I’ve been researching chat-up lines I can embarrass those pupils with.  Yes, I’m that kind of teacher …

These are the best clean ones I’ve found so far.  If you can top this, let me know.

Anyway, back to the play!  Shrug.  If you’ve decided to behave badly, you may as well test your strength straight away, right?  If we accept, after my last post, that the main thing on Richard‘s mind is the constant, inevitable rejection of women, it follows that his next step in the play (the true story is somewhat different) is to seduce someone …

(Can I also say it hurt my eyes to search for this image?  

See the lengths I am willing to go to for you?)

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Quote of the Week: 02 October

BH john julius norwichJohn Julius Norwich, Shakespeare’s Kings (Penguin:  London, 2000)

I like this book very much, and as I’m currently teaching Edward II to two separate groups of sixth-formers, I thought I’d look out a quotation for them regarding our hapless king.  Despite Edward not being one of Shakespeare‘s kings, Norwich doesn’t disappoint …

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Quote of the Week: 25 September

BH eltonGR Elton, A History of England:  England Under The Tudors (The Folio Society:  London, 1997)

If there was ever a knockout blow in the ebooks vs. physical books debate, I think The Folio Society supplies it.

The heft of them, the slipcases, the overall production values – even the feel of the paper stock makes these a pleasure to read, and as someone who usually subjects his books to ‘tough love’, it makes me look after them in a way I rarely do other books.

And the contents never fail to live up to the packaging …

 

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PTS 07/039: (Find Me) Somebody To Love

BH freddie mercury

Ponytail Shakespeare read-through – Richard III (Act I, scene i)

Larger than life.  One of a kind.  Brash on the outside, to mask an inner vulnerability.  The ultimate showman, whose memory lives on long after his death.  Freddie Mercury is all these things, too

I’ve arrived at Richard III, the first play in my read-through that I know well, with a sense of awe, almost a fear of not doing him justice.  Unusually, I’m as tentative as I might have been had I met him with a pathetic autograph book in my hand (or Mercury, whose death in 1991 touched me as few other celebrity deaths have:  Prince and Sir Terry Pratchett are the only others that I register, emotionally).  My relationship with Richard grows more obssessive and complex every time I teach him, and my recent book-buying seems unconciously centred round the historical Richard and the major players in his accession and downfall.  I’ve also realised there is no way I can do this in the usual 1,000-ish-words-per-act format, so all I’m going to do is try to avoid 1,000 words-per-scene, if I can.

How has Shakespeare done this to me?

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PTS 06/038: The Titus Andronicus soundtrack album …

bh-wurlitzerThere’s a lot of unjustifiable hate out there for Titus Andronicus, I think.

Jonathan Bate introduces the play by saying that:

 

 

 

 

 

‘Even those who have approached Titus in a spirit of scholarly enquiry rather than critical judgement have been prejudiced by their distaste for the play […] nearly all scholars suppose that it is a very early work, a piece of crude and embarrassing juvenilia.  I believe that every one of these arguments is wrong.

I’m with Prof. Bate.  This was a rollercoaster ride.  Although it does sketch issues we’ll see fleshed out in Lear and other ‘greats’, it’s a remarkable Revenge play, with a strong tragic journey and an utterly evil villain that surpasses any other I can readily think of.  It also spoke strongly to me about public service, and the rewards thereof – especially for our armed forces.

So here’s my soundtrack album for the play.  What’s missing?

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Quote of the Week: 18 September

BH BradbrookBRADBROOK, MC: Themes and Conventions of Elizabethan Tragedy (Cambridge University Press: Cambridge, 1969)

The Boar’s Head Bookshelf uses Isaac Newton‘s famous ‘standing on the shoulders of giants‘ quotation to acknowledge the part that every book I read has in shaping my ideas about Shakespeare.  Occasionally, I read a book where the ideas are camouflaged by a ponderous, lecturing (in the worst sense of the word) style, and this is one of them.  (A shout-out to the massively disappointing Frank Kermode on this point, too)  When I read authors like David Crystal, his – pardon the pun – brilliant style makes the ideas shiny, fresh, exciting.  Kermode and Bradbrook are similarly huge beasts, but their home is the Jurassic period, not the 21st Century.  I’m slightly taken aback by that statement, given I devote myself to a writer who has been dead for over 400 years:  oh, the irony, I hear you say …

Anyway, Bradbrook HAS got something interesting to say when she’s not hectoring us or making massive assumptions about our knowledge:

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PTS 06/037: Don’t Push It

BH rambo don't push it
Titus:  Don’t push it … don’t push it or I’ll give you a war you won’t believe.  Let it go.

Titus Andronicus, Act V

(subtitled, far too obviously for the UK football fans amongst us, ‘who ate all the pies?’)

I warned you!  I WARNED YOU!  Did I warn you?

Yes, I did.  And so did Francis Bacon.  And Jonathan Bate.  And Fredson Bowers.  We all said that revenge was likely to spiral out of control, because once you lose your faith in the law, and in divine justice too, all bets are off. And because every stroke in the ‘rally of revenge‘ is that much harder, has that much more spin on it than the last.  Let’s mix our metaphors again: in this particular poker game, someone, eventually, is going to see your stake and raise you with everything they’ve got, not caring any more whether they win or lose. The chips, and what they represent, are suddenly and utterly unimportant …

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