PTS 03/017: Ch-ch-ch-ch-changes …

BH DavidBowie-portrait
Is it me, or would Bowie have made a terrific Richard?

Henry VI part III, Act III

RICHARD: ‘I can add colours to the chameleon,

Change shapes with Proteus for advantages’  (III.ii.191-192)

I’ll come back to Bowie’s song when I finally hit Richard III in August, because when I revisited the lyrics, I couldn’t avoid staring thoughtfully for a while.  I will remind Richard that:

‘And every time I thought I’d got it made,

It seemed the taste was not so sweet.’

Like Bolinbroke in RII, like Macbeth – like almost everyone in Shakespeare, let’s face it – the anticipation, the chase, is far better than the conquest, when it comes to the crown.

In the meantime, nothing seems to stay the same in Act III …

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PTS 03/016: Young Skywalker is in pain …

BH young skywalker is in pain
THIS is the look I’m talking about …

Henry VI part III, act II

In Act I, I wondered about how Richard might respond to the loss of the father he seems so close to, and explored the ongoing death of chivalry and nobility.

It doesn’t take long to see both of these ideas addressed in Act II …
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‘A delightful society’ …

holinshedYou are holding in your hands one of the most interesting, influential – and readable – books in British history.

Raphael Holinshed’s Chronicles of England, Scotland and Ireland have long been famous as the key source of Shakespeare’s history plays.  Given the role of Shakespeare’s view of Tudor history in shaping English nationalism, Holinshed’s long-term influence on British culture and English literature can hardly be overstated.  Michael Wood (intro), Holinshed Chronicles  (The Folio Society:  London, 2012)

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PTS00/001: I see you stand like greyhounds in the slips …

… Straining upon the start. The game’s afoot (Henry V)

bh-greyhounds

So.  As we enter February 2017, and the beginning of the ‘Ponytail Shakespeare’ project, I feel the need to quote Stephen King:

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