Category: Key Stage 5

QotW: 09 July 2018 (#48)

Vicarious living is the ONLY way to fly …

BH Jojen-Reed-Profile

Maybe it’s ironic to quote an author I haven’t read – apart from a single short story in a SF anthology (‘The Way of the Cross and the Dragon’ (1978), if anyone’s interested) – but this is the second time I’ve used GRR Martin‘s quotation (and indeed this image):

‘A reader lives a thousand lives before he dies. The man who never reads lives only one.’

‘Everyone‘ says I would love Martin’s work if I could find the time to read it, by the way.  It’s not even close to reaching the slopes of Mount Tsundoku at the moment.

If Marxist literary criticism were renamed, say Contextual Critical Theory, I wonder if it would be taken more seriously by the uninitiated … like rebranding Labour as ‘New Labour’ in the UK helped Tony Bliar (intentional misspelling) come to power in 1997 … How can we possibly dissociate a text from the society in which it was created, or indeed from the intertextual cauldron that formed the author’s views?

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PTS 12/071: Choose Life!

‘Why would I bother watching Titanic, when I know how it ends?’ Silence …

BH trainspotting_uk

Ponytail Shakespeare read-through.  Romeo and Juliet:  Prologue

As a trainee, I remember ‘inheriting’ R&J from the usual teacher on placements. Twice.  And I vividly remember teaching the Prologue to a top set of smart, welcoming, wonderful students.

This was the class that christened Romeo the ‘pervy monkey boy‘ after watching Zeffirelli‘s interpretation of the balcony scene.  Thanks, Hannah – I will never forget that.  They’re also the bunch that did the ‘Mean Girls‘ recreation of Act III, scene v.  They made ‘fetch’ happen!  So much for ‘Two households, both alike in dignity‘ …

Despite the brilliant memories, I wonder if it’s significant that I have never, since, opted to teach the play, now that I am largely in charge of my own destiny?  And for PTS purposes, what can we, can I, pull out of these fourteen lines that hasn’t been said before over the last 400-years?

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Forensic Friday (#05): RIII – V.v.61-65

Richard III is fooling very few of us with his inclusive pronouns …

BH freedom

I’ve had to take a week out, basically, through pressures of work.  It could easily have extended into a fortnight, but to paraphrase Lord Foul – the Sauron-style character in Stephen Donaldon‘s Chronicles of Thomas Covenant – I am ‘stubborn yet’.

So, where were we?

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Forth, and Fear No Darkness …

“DO panic tomorrow. For 5 minutes. Then dive in.”

BH ride of the rohirrim

Tomorrow is the Year 12 end of year exam …

150 minutes.  Three questions, on Richard III, Edward II, and Tennyson‘s ‘Maud‘.  And despite my best efforts, my class have been increasingly panicked, increasingly convinced that a ‘U’ grade will result in their being kicked off the course.  Most of my free periods this week have been taken up in reassurance and revision.

It’s been contagious:

Open your ears! For who could possibly block them when loud Rumor speaks? (2HIV)

And it’s been unhelpful.  For a certain type of student, fear of failure is the biggest barrier they have to succeeding.  Whoever propagated this ‘you’re getting kicked out’ myth needs a kick in the codpiece.

One of the latest things I asked my students to consider was the contrast in pre-battle speeches between Richard and Richmond.  Which inspired me to email them my own, a short while ago …

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QotW: 25 June 2018 (#47)

All the world IS a stage, where Richard is concerned …

BH chameleon

Year 12 face their mock exam this coming Friday, with varying degrees of panic.

So, this week’s QotW is actually a BOGOF offer.  I often talk about Richard III being a ‘season finale’ to the History plays.  The chameleon quotation above comes from the penultimate episode, as you might remember, people.  Richard is – at least until it all begins to unravel for him – the consummate actor.

But don’t just take my word for it:

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PTS 11/069: I’ve Wasted Time …

Be careful what you wish for, Bolingbroke …

BH richard ii ben wishaw

PTS read-through – Richard II;  Act V

Why’s it taken me so long to get this one written? To get this play finished?  To ‘officially’ say goodbye to Richard II for a few years, given I have no opportunity to teach it at either GCSE or A Level?  That question probably contains its own answer.

Or, the fact that it’s Romeo and Juliet next …

You know – if you’ve been reading along – how deeply I feel an affinity for Richard’s journey.  Perhaps when I (eventually) get to the end of the PTS I’ll reflect that the ‘most important things are the hardest things to say‘, as Stephen King tells us [a].  It’ll be interesting to look back and see whether the plays I found harder to connect with came and went rather quicker.

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Forensic Friday (#4): RIII III.ii.39-42

 

BH mexico germany
A nice positive GIF for my Y12 class … you CAN score, people!

‘SQUEAKY BUM TIME’:  the point towards the end of a football game, or season, when you hold a slender lead but are almost shitting yourself, in case something goes horribly wrong …

– – –

I’m publishing this with a exactly a week to go before my Y12s face their end of year exam –  a full exam on everything we’ve done this year: Tennyson‘s ‘Maud’; Marlowe‘s Edward II; and of course, Richard III.  Evidence suggests my students are in full ‘squeaky bum’ mode, despite my best efforts to reassure them.  And, hey, it’s the World Cup:  if Mexico (one of ‘my teams’ can hang on to a 1-0 lead for an hour against Germany, I think you can hang on to what I have taught you this year for another seven days?

You know what to do: especially (for the first question) if you have been reading these …

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QotW: 18 June 2018 (#46)

Marlowe was never going to fit in. In some ways I wish he hadn’t tried so hard – he would have lasted longer.

BH green_goldfish_1600x1200
What?

‘We don’t like mavericks here …’

– is what I was told some years back at my first school.  My first school, just to be clear …

It’s not a default position, I promise you – I honestly don’t aspire to be a maverick.  It’s simply about my always bearing in mind the attributed words of Einstein:  the definition of insanity is doing the same thing again and again and expecting different results.  So if it demonstrably doesn’t work or doesn’t make sense, you need to find someone else, if you want blind obedience.  How do we improve, otherwise?  Plus, my teaching mentor gave me advice I’ve never forgotten, and which has served me well (and my students, if results are anything to judge by*).  We might paraphrase it as:  ‘As long as you know where should be taking the students, don’t stress about abandoning the lesson plan and getting there via another route.‘

So, admittedly, I can be a:

maverick     ˈmav(ə)rɪk/  noun
  1. 1.  an unorthodox or independent-minded person.

But, surely, no SURELY, this what we aim to foster in our children (what actually we reward in the subject: critical, evaluative thinking and independence of ideas – those terms are on the markschemes, at the top end) … right? Or does education exist to train people into unthinking passivity?

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Forensic Friday (#03): RIII I.iv.180-183

It’s dawning on Clarence that he won’t talk his way out of this one …

“Do you do ‘PEEFE’* on Saturday nights, Sir?” one wag asked me, to general titters of amusement in C5.

‘Why not?  It’s fun.’ I replied.  And it is.  So why not?

Why not, actually, spend some time thinking again about RIII, I.iv?  Thinking about a grown man who has such a terrifying nightmare that he asks another to sit with him whilst he tries to get some sleep.  About a man desparately pleading for his life in every way he possibly can (see the Blues Brothers, above), when faced with two murderous executioners.  Much more fun than Love Island, surely?

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Forensic Friday (#02): RIII I.ii.107-109

Don’t just talk the talk – walk the walk, Sir!

Subtitled: This Charming Man

BH the smiths

What kind of teacher asks their students to do something they wouldn’t do themselves?

My latest Y12 Homework task was titled, yes, This Charming Man – students were asked to analyse the exchange between Richard and Anne in Act I scene ii of Richard III.  Those who were feeling a bit flash were challenged to get in as many song titles as they could from The Smiths discography.

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