My Favourite Shakespeare Infographs

I’m a big fan of infographics, and these are great. Personally, I’d reverse the order, because who doesn’t enjoy a Shakespearean pie-chart (unless of course your name is Demetrius or Chiron)?

The Bard and the Bible

You know what an infograph (or infographic) is, right? It’s a chart or other visual depiction of information that is intended to be consumed and understood quickly. There are all kinds, from maps to timelines and more. Some of my favorites, of course, are Shakespeare infographs. Here are three of the many I’ve “clipped” and saved:

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My friend (and occasional guest blogger here at The Bard and the Bible) Sue sent this one to me:

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And this is one of many efforts to chart the various causes of death in Shakespeare’s plays:

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PTS 05/030: There’s nothing ill …

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Mirror, mirror, on the wall …

The Two Gentlemen of Verona:  Act IV

Thus far, I feel like I’ve been quite objective about the play, glossing over the obvious errors about travelling by boat between land-locked cities, etc. I’m not one to lionise Shakespeare (whatever my other half thinks), but nor am I interested in joining the current fad I see online for ‘dissing’ him.

Having said that, Act IV begins with a ‘mote to trouble the mind’s eye‘, though – and more on it later, but Act V trumps even this episode. What am I talking about?

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Boar’s Head Bookshelf update: ‘travelling light’ …

Books in the vault, Deck C, Folger Shakespeare Library, 9/11/09
image courtesy Folger Library

Spending practically all of the summer holidays away from home, you’d think I travelled loaded with books?

Not a bit of it – I simply brought down my Ponytail Shakespeare texts, so I could try to catch up on writing about the read-through.  Plus, experience told me that I’d be buying books wherever I went.  Shakespeare’s an exacting master, and wherever I go I usually end up returning to Cumbria laden like a donkey.

Half way through the hols, my score so far is:

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Quote of the week: 14 August 2017

BH okerlund coverArlene Okerlund, Elizabeth Wydville: The Slandered Queen (Tempus Publishing: Stroud, 2005)

Proof that even a stopped clock can occasionally be correct …

A book review of Professor Okerlund‘s book may well be in the offing – on the basis that, as I often tell students) it’s easier to write about something you don’t like, rather than something you do.  This book really annoyed me as few others have, but I managed to get to the end of it.

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PTS 05/029: Would I Lie To You?

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Ponytail Shakespeare: The Two Gentlemen of Verona, Act III.

Like so many of Shakespeare’s villains (and here perhaps I have Iago uppermost in mind) Proteus is a decent dissimulator, and Act III begins with his breathless betrayal of his best friend.

How does Shakespeare make Proteus credible?

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Crimes Against Shakespeare: 005

 

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My gut reaction deserted me a little for this one, perhaps because of the subject matter, so I found myself consulting both my girlfriend and my best friend, the latter also an English teacher. Second and third opinions corroborating my initial intake of breath, and therefore I am pleased to present you my latest Crimes Against Shakespeare Award …

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PTS 05/028: Et tu, Proteus?

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Ponytail Shakespeare:  The Two Gentlemen of Verona, Act II.

If The Taming of the Shrew was about disguises, William C Carroll is right in considering The Two Gentlemen as a text about metamorphosis in the tradition of Ovid.

Before we look at these transformations, though, a word on Silvia. It drives me mad every time I hear or read someone preface some ill-informed remark with ‘Shakespeare was …’ More on this at regular intervals, I suspect. But for the moment, let’s take a small nibble at ‘Shakespeare was misogynist.

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