Classroom Posters #5: Richard III

This is the last of the five posters currently up in my room – but not the last Lego Shakespeare, you’ll either be pleased or dismayed to know …

Richard III.jpg

In some ways, this was the quickest and easiest image to take – because I had a very strong idea of what I wanted before I started shooting, and there was no need for ‘special effects’ such as smoke …

So there’s no story attached to this one?

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Richard III: KS5 essay 2

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If this is the first time you’ve read an essay here, please take a look at this post before proceeding.

Without superstition, Richard III would have been reduced to a relatively mundane and propaganda-tinged retelling of the familiar Tudor ascent to power. Shakespeare’s skilful exploitation of the complex Elizabethan mix of secular and religious beliefs, via Margaret, transforms the play into compelling drama for contemporary and modern audiences.

Question: 

“The population of Renaissance England was, by modern standards, fervently religious.  ‘Atheist’ was an insult too extreme and too ludicrous to be taken seriously.”  (Lisa Hopkins and Matthew Steggle: Renaissance Literature and Culture, 2006)

Despite an unwavering belief in the Christian God, the early modern period was remarkably superstitious.  Explore how and why Shakespeare uses superstition in the early parts of Richard III (Acts 1-2)  Indicative length: 1,000 words.

Success Criteria:

AO1:  Personal Response (30%)

AO2:  Analysis of Writer’s Methods (40%)

AO3:  Understanding of the role of and influence of Context (10%)

AO5:  Exploring different interpretations of the text (20%)

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Recommended Shakespeare Films

Two words: Hollow Crown!

Unofficial Writer in Residence

Theatre can be expensive, I have great experience with that. And some of the best professional theatre takes place in London. Not everyone lives in London, or can easily get there, for some quality Shakespeare is inaccessible.

But film is a lot more accessible. The cinema is much cheaper than live theatre, and dvds even more so. That is why I have put together a list of Shakespeare films that I would recommend watching.

Now there are hundreds of film adaptions of Shakespeare. This isn’t really a Top 10 list or anything, they are not really in any rated order. These are just all films I love, or think are good for people wanting more Shakespeare films.

This is a list of films that I have seen at the time of writing this article. I will not include any film I have yet to watch, though I may come back…

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Is Donald Trump Richard III reincarnated?

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I took this image of ‘Richard’ at the Cambridge Shakespeare Festival in 2013.

“I am unfit for state and majesty”

Why do we still study Shakespeare 400 years after his death?

Our year 12 stint on Richard III is now beginning to wane – we start Act 5 next week, and will essentially be done by the end of the Autumn Term on 16 December.  Then I’ll sadly take a break from teaching Shakespeare until after Easter, when I’ll be looking at Much Ado About Nothing (year 8), probably Hamlet or Julius Caesar (year 9), and Macbeth (year 10).  My only ‘early modern’ fix in the Spring term is Marlowe’s Edward II.  Happy Days.

As the year 12 course has unfolded, keeping pace with the final stages of the US elections, I’ve found it increasingly difficult to leave the next leader of the free world out of our discussions.  With one difference:  I grudgingly admire one of these larger-than-life characters, and have nothing but contempt for the other …

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Relevant, but not ‘relatable’ …

John Kelly over at Shakespeare Confidential gave me something to think about this week.  Some things, actually.

‘I want to be an air hostess – what’s Shakespeare got to do with me?’

Possibly the first and most significant was about what I wanted to do with this fledgling blog, now that I seem to have some impetus and a little momentum.

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Richard III: KS5 essay 1

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If this is the first time you’ve read an essay here, please take a look at this post before proceeding.

This essay was set as the first assignment for my KS5 class this year – on the OCR specification.  Student submissions were therefore marked on the following criteria:

Richard’s unscrupulous ambition and misogyny is balanced, in Act 1 scenes 1 and 2, by his facility with words and mischievous, almost devilish sense of humour.

AO1:  Personal Response (30%)

AO2:  Analysis of Writer’s Methods (40%)

AO3:  Understanding of the role and influence of Context (10%)

AO5:  Exploring different interpretations of the text (20%)

There is as much to admire as there is to loathe about Richard.

How far and in what ways do you agree with this statement? [Act 1, scenes 1/2: 1,000 words]

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