Quote of the Week: 02 April 2018 (#35)

Bogdanov (and Shakespeare) on the corrosive effects of real life on the soul …

BH bogdanov directors cut coverMichael Bogdanov, ‘Richard II: The skipping King’, in Shakespeare : The Director’s Cut (Capercaillie Books:  Edinburgh, 2005)

I picked this startling book up from Waterstones in Gower Street, London on Saturday – remaindered at a measly £5-99.  Scuffed but basically sound, it seemed destined for the upper slopes of my ever-growing Mount Tsundoku – about which I’m bound to post at some stage, recently becoming familiar with the term.

Either way, as I often do with new Shakespeare-related books, I ambled through the Introduction.  Not properly knowing who Bogdanov was in truth, I wanted a sense of who I’d invited to share my bookshelves.  I’m at my parents’, and despite the TV blaring at a volume only a practically-deaf father can justify, I became completely immersed.

Bogdanov died almost a year ago, at 78 (a little older than my father is).  If we’d been contemporaries, and moved in similar circles, I reckon we would have been drinking buddies …

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PTS 011/064: I wasted time, and now?

All’s far from well for Richard, and a facility with words isn’t helping …

BH jeremy irons richard ii b
image:  RSC

PTS read-through:  Richard II, Act I

The lengthy gap since I finished posting about A Midsummer Night’s Dream has everything to do with volume of work, and absolutely nothing to do with what I’m about to confess you now.  But we ought to get it out of the way, or it will cloud all my posts about Richard II

On today’s journey to the late 1590s, let’s take a detour via 1987 …

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Quote of the Week: 26 March 2018 (#34)

The long road to the civil war begins here …

BH Richard II 86536
Photo by me:  taken at the Cambridge Shakespeare Festival, 2014

This week’s quotation is from:  Charles R. Forker, ‘Introduction’, in William Shakespeare, Richard II (Arden Third Edition), (Thomson Learning:  London, 2002)

A recent Reddit thread discussed the extent to which the History plays critiqued the monarchy.  To be honest, I didn’t want to get involved, because it looked like a straight request for homework help, and yet, it was hard to resist such a fascinating subject …

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Quote of the Week: 12 March 2018 (#32)

It’s a wonder Will didn’t end up in prison, when you think about it …

BH shakespeare censorship
image:  The British Council, Index on Censorship

This week’s quotation is from Germaine Greer, Shakespeare (Past Masters series), (Oxford: OUP, 1986), p.75

Classroom experience tells me that [massive generalization] today’s students are disinclined to think for themselves [/massive generalization].  It’s part of the resistance to Shakespeare that seems to be coded into some pupils’ DNA (and another day I might talk about the ‘generational’ thing), but we see it with other texts.  A while back, in Manchester, I taught the short film ‘The Virus’ – which I personally think is excellent:

– but it was met with howls of anger (only slight exaggeration) from students who couldn’t work out what had happened, why, and what might happen next.  Watch the film, if you have under ten minutes, and then ask yourself if the main character is alive or dead at the end.  Then, ask yourself why or how the answer couldn’t be obvious to 14/15 year-olds.  This happened with TWO classes.  I wasn’t just taken aback:  I was worried. Not least because they thought it was ‘rubbish‘ because they couldn’t figure it out.

To be fair, this probably isn’t new – had my students been alive at the time, and in possession of the attention span required to read it, they would have been part of the contemporary outcry over the ending to Great Expectations.  But Dickens‘ audience wanted their theories confirmed or refuted.  In 2018, it just seems endemic that people have no theories.  They just want to be told what to think … and that scares me.

Who do I blame?

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The 2018 Shakespeare Top 10

Forget the Oscars, here are some winners that REALLY matter to me …

BH Ardens
Not – quite – my collection of Ardens … soon, soon!

We HATE lists, don’t we?

Except, actually we bloody love them, if it’s something we’re interested in.

No, really.

That said, the last thing we want is a list that agrees with our perceptions – the dopamine rush of validation is very short-lived compared to the opportunity to passionately argue our disagreement.  We LOVE subjective opinions.  Trust me – my wonderfully fulfilling University years were full of essays arguing the toss – why, for example:

  • Dracula should not be judged for his ‘special dietary requirements’, whereas Van Helsing and his bunch are vindictive bastards;
  • we ought to respect Edward Hyde for his refreshing honesty, as opposed to Henry Jekyll‘s hypocrisy; or
  • Ursula K. Le Guin’s (RIP) The Left Hand of Darkness, whilst a superb book, had no place in the Science Fiction module

You get the picture:  English Lit is a tailor-made subject for those who are argumentative and prepared to do the spadework to back-up their cockiness …

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Quote of the Week: 05 March 2018 (#31)

They could be twins … NOT the authors!

BH marlowe shakespeareJohn Gielgud, ‘Richard II’ in Charles Ede (ed.), Introductions to Shakespeare, (London:  Folio Society, 1977) p.59

[and a small celebration of this as my 201st post]

The Wheel of Fortune moves inexorably away from Edward II at school (which students will have to compare to Tennyson‘s Maud in their exam – easy peasy, whatever they may think, if they work hard and LISTEN between now and then), and in terms of the Ponytail Shakespeare read-through, to Richard II.

I can’t be the only one to reflect that the two plays are remarkably similar.  Indeed, I’ve chosen this week’s quotation as an intrigiung bridge between them.

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Hapus Dydd Dewi Sant, look you!

Just how authentic are Shakespeare’s Welsh characters?

BH fluellen leek

‘if you can mock a leek, you can eat a leek’ [1]

Wales is my second home: my girlfriend is Welsh.  I lived there for a while, and visit frequently.  It’s a place I’ve come to know reasonably well, and to like very much.  One of the highlights of each year is watching the England vs Wales rugby union match – you simply haven’t tasted real passion and love of country until you’ve watched it on a big screen in a packed pub in North Wales (avoid wearing white, if you can).  They have a national anthem that genuinely moves me every time I hear it: inexplicably visceral and patriotic in a way that ‘God Save The Queen’ can never, ever be.  Take 90 seconds out of your life to watch this, below:

All this love doesn’t stop me from massively enjoying any opportunity to ‘mock the leek‘, but in an affectionate way …

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Quote of the Week: 19 February 2018 (#29)

“Is black so base a hue?” Aaron, Titus Andronicus, Act IV scene ii …

BH devils-witches-dance
– back cover of Scott’s book –

AF Scott, Witch, Spirit, Devil, (White Lion Publishing:  London, 1974)

Whilst Black History Month isn’t celebrated in the UK until October, this is a bit of an international blog: about half of you are visitors from the US, and another quarter or so from elsewhere outside the UK – thank you, by the way!

So now, whilst I’m reading Scott’s book, feels like the time to look at this …

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Quote of the Week: 12 February 2018 (#28)

Should we pay more attention to James I before he became King of England?

BH cogwell james i

Thomas Cogswell, James 1:  The Phoenix King (Penguin Monarchs series), (Allen Lane:  London, 2017)

Studying or teaching Shakespeare’s plays, the figure of Elizabeth looms in the background, like the spectre at the feast.

We see it in the ever-present censorship, in the light of the Treasons Acts in 1571 and 1581, outlawing public discussion of the succession.  Or, more positively, in the ‘Gloriana’ cult that produced works like Spenser‘s The Faerie Queen, and flattering nods to Elizabeth wherever you look – like links between her and Theseus in A Midsummer Night’s Dream.  We see it in her discomfort with comparisons to Richard II, and the propagandic lionization of Henry VII.

Reading Cogswell‘s short, sympathetic biography has made me reassess the extent to which we / I ignore James until the succession question becomes absolutely critical.

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Crimes Against Shakespeare 009

“This is all the UK has to show for itself.  The situation is urgent.  Please think of others far worse off than you and give generously”

BH steven woolfe

For those who don’t know Mr Woolfe, he was hovering on the edges of glory at UKIP for a few years, challenging for the ‘leadership’ at one stage, until leaving in high dudgeon after a classy physical altercation with a colleague, and now standing as an ‘Independent’. UKIP is, for the uninitiated, the United Kingdom Independence Party – a political party of xenophobic, borderline racist, swivel-eyed loons who have done as much as anyone else to get us into this desperate Brexit mess.

Mr Woolfe is currently one of my MEPs (Member of the European Parliament).  I didn’t vote for him.  But tonight, to my shame, he represents me.

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