Quote of the Week: 26 March 2018 (#34)

The long road to the civil war begins here …

BH Richard II 86536
Photo by me:  taken at the Cambridge Shakespeare Festival, 2014

This week’s quotation is from:  Charles R. Forker, ‘Introduction’, in William Shakespeare, Richard II (Arden Third Edition), (Thomson Learning:  London, 2002)

A recent Reddit thread discussed the extent to which the History plays critiqued the monarchy.  To be honest, I didn’t want to get involved, because it looked like a straight request for homework help, and yet, it was hard to resist such a fascinating subject …

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Quote of the Week: 19 March 2018 (#33)

Sometimes we need to be reminded that our historical figures are human beings.

BH elizabeth armada portrait
‘The Armada Portrait’

This week’s quotation is taken from Garrett Mattingly, The Defeat of the Spanish Armada (ed. J.H. Elliott), (The Folio Society:  London, 2002)

– – –

This is just a humble tavern, and we’ve no real pretensions to royal patronage.  Prince Hal, of course is a regular, but he doesn’t behave very … ahem … regally, when he’s here, Lor’ bless and keep him.

But like every good English ale-house, we do have a portrait of Good Queen Bess behind the bar, and it’s this one.  This week, I’ve been thinking about Elizabeth I

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The 2018 Shakespeare Top 10

Forget the Oscars, here are some winners that REALLY matter to me …

BH Ardens
Not – quite – my collection of Ardens … soon, soon!

We HATE lists, don’t we?

Except, actually we bloody love them, if it’s something we’re interested in.

No, really.

That said, the last thing we want is a list that agrees with our perceptions – the dopamine rush of validation is very short-lived compared to the opportunity to passionately argue our disagreement.  We LOVE subjective opinions.  Trust me – my wonderfully fulfilling University years were full of essays arguing the toss – why, for example:

  • Dracula should not be judged for his ‘special dietary requirements’, whereas Van Helsing and his bunch are vindictive bastards;
  • we ought to respect Edward Hyde for his refreshing honesty, as opposed to Henry Jekyll‘s hypocrisy; or
  • Ursula K. Le Guin’s (RIP) The Left Hand of Darkness, whilst a superb book, had no place in the Science Fiction module

You get the picture:  English Lit is a tailor-made subject for those who are argumentative and prepared to do the spadework to back-up their cockiness …

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Quote of the Week: 19 February 2018 (#29)

“Is black so base a hue?” Aaron, Titus Andronicus, Act IV scene ii …

BH devils-witches-dance
– back cover of Scott’s book –

AF Scott, Witch, Spirit, Devil, (White Lion Publishing:  London, 1974)

Whilst Black History Month isn’t celebrated in the UK until October, this is a bit of an international blog: about half of you are visitors from the US, and another quarter or so from elsewhere outside the UK – thank you, by the way!

So now, whilst I’m reading Scott’s book, feels like the time to look at this …

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Quote of the Week: 12 February 2018 (#28)

Should we pay more attention to James I before he became King of England?

BH cogwell james i

Thomas Cogswell, James 1:  The Phoenix King (Penguin Monarchs series), (Allen Lane:  London, 2017)

Studying or teaching Shakespeare’s plays, the figure of Elizabeth looms in the background, like the spectre at the feast.

We see it in the ever-present censorship, in the light of the Treasons Acts in 1571 and 1581, outlawing public discussion of the succession.  Or, more positively, in the ‘Gloriana’ cult that produced works like Spenser‘s The Faerie Queen, and flattering nods to Elizabeth wherever you look – like links between her and Theseus in A Midsummer Night’s Dream.  We see it in her discomfort with comparisons to Richard II, and the propagandic lionization of Henry VII.

Reading Cogswell‘s short, sympathetic biography has made me reassess the extent to which we / I ignore James until the succession question becomes absolutely critical.

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Crimes Against Shakespeare 010: On ‘Dumbing Down’

This has been on my mind for a while …

BH dumbing down

This is a long read – I say that on a blog where posts often hit 1,300 words, against ‘accepted wisdom’ – so apologies in advance.  YOUR blog is your blog; my blog is MY blog, and I write for catharsis and as a kind of journal, not ‘popularity’, ‘followers’, or ‘influence’.  I was tempted to temper my words with a gallery of pictures, but that didn’t feel right, either.  This post feels a little more personal than most.

In spite of, or maybe because of, constant trawling for Shakespeare-related content, I have only just found this.  Last April, Peter Marks wrote a piece for The Washington Post  (link below) suggesting that Americans are too ‘intellectually lazy’ to appreciate Shakespeare, and fearing for the future popularity of the plays.  My immediate response was ‘you think it’s bad in the US?  Try over here, where Shakespeare was born!’

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PTS 09/055: The Rough Wooing of the Monstrous Regiment

Where is the ‘son-in-law’ material in LLL?

 

BH NIgel
Dad, this is Nigel … we’re in love!

Love’s Labour’s Lost:  Act IV

My life has been filled with obsessions, and for reasons too complex to go into here, about twenty-five years ago, one of them was Scottish history.  With no knowledge ever completely wasted, it’s contributed to where and who I am today, struggling with this play, and especially to find any kind of empathy with its male characters.

Put simply, if I had a daughter, none of these men would be son-in-law material …

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Macbeth: Villain, or Victim?

Can I REALLY be an apologist for Macbeth? I think so.

BH macbeth stewart and fleetwood
Kate Fleetwood and Sir Patrick Stewart as the happy couple …

“Something something isn’t Macbeth a villain!?!?!? something something.”

This is someone’s response to my suggestion that Macbeth (and, incidentally, his wife) is one of Shakespeare’s most ‘memorable’ characters.  The ‘something’s are their words.

It set me thinking … IS he a villain, or simply a victim?  Can I really be an apologist for him, I asked myself?

I reached for my Arden …

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Quote of the Week: 11 December 2017

We only want to be kings because we don’t fully understand what it involves?

BH Lee_1603Christopher Lee, 1603 (Review:  London, 2003)

Not THAT Christopher Lee, obviously!

In class, we’ve seen it in Edward II and, I think, Richard III.  There are hints of it for my younger students in Macbeth.  But I see it everywhere: in Richard II, Henry IV, Henry V, Henry VI.

 

In Twelfth Night, Malvolio tells us:

“be not afraid of greatness: some are born great, some achieve greatness, and some have greatness thrust upon ’em” (II.v)

Quite simply, the message I consistently get from EMP plays is that greatness – in this case being monarch – is never, ever, all it’s cracked up to be …

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Shakespeare’s Sister says: ‘YOU’RE HISTORY!’ …

Claiming ‘Shakespeare was this or that’, or worse, ‘Shakespeare did not write the plays’, does NOT entitle you to a mic-drop. It just shows your intellectual bankruptcy …

BH shakespeare's sister
Siobhan Fahey and Marcella Detroit – women I fancied (at 19) as much for their deranged, dangerous, deep and devil-may-care personas as their looks.

I’ve written elsewhere about the Rally of Revenge – about my unease that once you abandon all faith in ‘due process‘ or ‘justice‘ (either earthly or divine); once you understand that inequality is endemic, you have nothing left to lose – if you are already losing – so keep raising the stakes until someone has to leave the game.  If it’s uncomfortable, perhaps it’s also sometimes necessary, to affect change of a fundamentally broken system.  You might not see the benefits yourself.  Hey, if you have to leave the game, then so be it: losing can become preferable to playing along, eventually.

There are always other games, other paths, whilst we are still alive – experience has taught me that, even if Shakespeare hasn’t.

And that’s where I find myself, professionally, this weekend.  Approaching change, but ready for it, and maybe, in some ways, relieved that an unhappy stasis has broken. There are always other games.

There is a third way – for revenge – I’ve not written about before.  The poet George Herbert (1593-1633) suggested that:

Living well is the best revenge.

And I’ll embrace and adapt that, in a ‘standing on the shoulders of giants‘ sense.

Living well equals happiness.  LAUGHTER is the best revenge.

Today, I intend to laugh at someone.  Long, and hard.

Let’s get moving, shall we?

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